Saturday, July 31, 2021

,
Boss Jock JNL
Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.

Boss Jock JNL is available in both regular and oblique versions.


Boss Jock JNL
Boss Jock JNL



Boss Jock JNL


,
,
Afterword JNL
Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.

The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.


Afterword JNL
Afterword JNL



Afterword JNL


Thursday, July 29, 2021

,
Boss Jock JNL
Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.

Boss Jock JNL is available in both regular and oblique versions.


Boss Jock JNL
Boss Jock JNL



Boss Jock JNL


,
,
Afterword JNL
Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.

The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.


Afterword JNL
Afterword JNL



Afterword JNL


Wednesday, July 28, 2021

,
Boss Jock JNL
Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.

Boss Jock JNL is available in both regular and oblique versions.


Boss Jock JNL
Boss Jock JNL



Boss Jock JNL


,
,
Afterword JNL
Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.

The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.


Afterword JNL
Afterword JNL



Afterword JNL


Tuesday, July 27, 2021

,
Boss Jock JNL
Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.

Boss Jock JNL is available in both regular and oblique versions.


Boss Jock JNL
Boss Jock JNL



Boss Jock JNL


,
,
Afterword JNL
Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.

The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.


Afterword JNL
Afterword JNL



Afterword JNL


Monday, July 26, 2021

,
Afterword JNL
Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.

The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.


Afterword JNL
Afterword JNL



Afterword JNL


,
Conversa
Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there.
Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo.
Give it a try, easygoing-ness guaranteed!


Conversa
Conversa



Conversa


,
Legit Didone
Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.


Legit Didone
Legit Didone



Legit Didone


Sunday, July 25, 2021

,
Afterword JNL
Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.

The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.


Afterword JNL
Afterword JNL



Afterword JNL


,
Conversa
Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there.
Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo.
Give it a try, easygoing-ness guaranteed!


Conversa
Conversa



Conversa


,
Legit Didone
Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.


Legit Didone
Legit Didone



Legit Didone


Saturday, July 24, 2021

,
Afterword JNL
Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.

The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.


Afterword JNL
Afterword JNL



Afterword JNL


,
Conversa
Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there.
Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo.
Give it a try, easygoing-ness guaranteed!


Conversa
Conversa



Conversa


,
Legit Didone
Designed by Hans Heitmann, Legit Didone is a serif font family. This typeface has ten styles and was published by Finaltype.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


Legit Didone is a didone typeface that features both optimal readability in small sizes as well as elegant aesthetics in display use. The standout feature of our Legit superfamily is its innovative uniwidth system: all weights and styles are 100% compatible in width and remain swappable without altering the layout. The typeface comes with a set of ligatures and stylistic alternates as well as strong and clear accents to support more than 36 languages.


Legit Didone
Legit Didone



Legit Didone


Friday, July 23, 2021

,
Conversa
Designed by Ricardo Marcin and Erica Jung, Conversa is a hand display font family. This typeface has two styles and was published by PintassilgoPrints.

Download Now
Server 1
Download Now
Server 2
Download Now
Server 3


A laid-back family, Conversa fonts are available in two weights, both all-caps with alternate glyphs on lowercase slots. Choose your preferred alternates by hand or simply turn on the Open Type contextual alternates feature to make them automatically cycle. There are some ornaments too, for a little twist here and there.
Conversa is a new take on ‘Outside In’ font, which is part of the ‘Outside’ font duo.
Give it a try, easygoing-ness guaranteed!


Conversa
Conversa



Conversa


Follow Us @soratemplates