Sohail Orozco

There’s nothing stinky about this font, don’t worry! But what’s is up with Stink Buster is a whole lot of serifs gone bad! Each letter is loosely based upon the classic slab serif style, but influence by grafitti and comics just made them crooked and off the grid.
But despite that, the font works great if you have a message that you want shouted out loud!

Kate Slab Pro is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios.
It is designed to work in big attention grabbing headlines as well as in smaller text and even body text.

The recognition value of Kate Slab Pro is its biggest asset in world of uniformity.
Ranging from “100 Thin” all the way to “900 Black” makes Kate Slab Pro such an amazing and versatile font family that stands out.
Kate Slab Pro doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity.
To fill all the gaps of a designer’s needs, Kate Slab Pro comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it.

Being a Slab Serif Kate Slab Pro manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades.

Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro.

Perva is a suite of three eye-catching fonts inspired by display types from the 19th century. This unconventional family has three different font styles that can be used individually or combined to build a playfulness multi-typeface design system. It is suitable for titling, posters headlines, book covers, packaging, social media, and branding.
Perva brings together a Slab serif font, a.k.a Antique or Egyptian; a Reverse-contrast or Italian; and an Old English Blackletter.

The design is inspired by the display types listed as “Typographic monstrosities” in Thomas C. Hansard’s book Typographia (1825).
What he found absurd was understood here as interesting and enjoyable to introduce a contemporary approach of the types widely sold by foundries such as Bruce’s New York Type-Foundry and Caslon Foundry.

Each of the three fonts holds around 400 glyphs, covering the languages of Northern, Western, Central, and Southern Europe. Opentype features include case-sensitive forms and a couple of alternates for the Blackletter style.

Alacant is a family of slab serif fonts composed of seven weights and their versions in italics. One of the most characteristic advantages of this font is its particularly square shape, very short descenders, open counter-forms and precise kerning that provides a very good visual impact and clear legibility.

A British boxing film from 1953 called “The Square Ring” had its titles and credits hand lettered in a slab serif type style commonly referred to as “Egyptian”.  Other familiar type fonts which share this influence are Karnak, Stymie and Beton.

Sporting Event JNL was modeled from the film’s titles and is available in both regular and oblique versions.

A British boxing film from 1953 called “The Square Ring” had its titles and credits hand lettered in a slab serif type style commonly referred to as “Egyptian”.  Other familiar type fonts which share this influence are Karnak, Stymie and Beton.

Sporting Event JNL was modeled from the film’s titles and is available in both regular and oblique versions.

Attention! TT Globs does not support Cyrillic, the font only supports Latin.

About TT Globs: TT Globs is the first font from the TypeType Starter Kit line, which is aimed at providing designers with fashionable typefaces featuring the basic set of font instruments of the same quality and development level as in the main TypeType line.

The main differentiating feature of the line is the basic number of styles (only the most popular weights), absence of Cyrillic support, and a very thought-through character font composition without extra features and other superfluous elements. Thanks to such an approach, fonts from the TypeType Starter Kit line are democratically priced and are affordable for many designers.

We were inspired to develop TT Globs by the idea to unite historical slabs with contemporary perceptions about fonts, their uses, and display shapes of letters. Working on the typeface, we even wanted to make curves more mechanical and rather modular, which would be very much in contrast with the cozy lines from historical specimens.

The main visual features of TT Globs are the long display serifs, which create a unified text image and connect all the letters, especially uppercase, into an almost uninterrupted dynamic chain. Thanks to the long serifs and rather narrow spacing, the result of working with the text will always be a little different, and depending on the words you choose, you can even create particular images.

In addition, TT Globs stands out by its very wide letter proportions, tall lowercase characters, and long ascenders and descenders. To mix up the rigid font rhythm, we created asymmetric wave-like terminals and flowing elements in some letters. Specifically, the flowing shapes of the letters GSQRasgec can be mentioned in this regard—they attract attention and can even serve as an important element in a logotype.

The TT Globs font family consists of 3 weights (ExtraLight, Light, Regular) and one variable font. Each style has 625 glyphs and 26 OpenType features. An interesting feature of thetypeface is the stylistic alternates, for instance, Q and R with straight legs which make the font feel more serious. In addition, the font also has a set of alternative letters with sticking serifs, a set of beautiful ligatures, and several original icons and frames.

TT Globs OpenType features: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, pnum, tnum, case, dlig, liga, calt, ss01 (Alt. Latin Q, R), ss02 (Alt. Latin a, g, y), ss03 (Alt. German Eszett), ss04 (Alt. Latin K, M, W, X, k, m, w, x), ss05 (White Circled Numbers), ss06 (Black Circled Numbers), ss07 (Romanian Comma Accent), ss08 (Dutch IJ), ss09 (Catalan Ldot), ss10 (Turkish i).

TT Globs language support: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani +, Banjar, Basque +, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton +, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican +, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss German +, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana +, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh+, Wolof, Xhosa, Zaza, Zulu.

One of the most friendly Slab Serifs just got even more friendly. Museo Slab Rounded is the latest addition to the Museo font family. It has updated letterforms, spacing and kerning. It can perfectly be combined with Museo Sans Rounded. It comes in six weights with italics, that are not just slanted regulars. Key characters have been changed to give the italics more flow.

Inspired by an image of the chamfered block lettering of a semi-faded “ghost sign” for the Thomas Drug Co. in Thomas, Oklahoma, Local Druggist JNL is available in both regular and oblique versions.

“Ghost Signs” are the visible remnants of hand-painted signs on buildings where the original business had long closed or moved, yet the lettering had survived the passing years.

A rounded version of Albiona, a contemporary slab-serif which revisits aspects of Robert Besley’s classic Clarendon. Originally named after the Clarendon Press in Oxford, the type family was subsequently extended by Stephenson Blake in the 1950s.

Albiona adds the inwardly-curved stroke terminals of the same foundry’s Grotesque series, and includes italics and old-style and tabular numerals. The original Clarendon’s ball serifs and calligraphic eccentricities have been rationalised for functional contemporary uses. The family consists of five weights plus italics and a stencil, and its clean readable style is perfect for both extended text as well as headline setting.

Palo Slab is an epic font family made up of 9 weights in four widths, along with italic & oblique options to total a massive 108 styles. Using our 2020 release Palo as the base, the slab version began to take on its own life and personality to become a unique entity in its own right. From super punchy heavy weights to the delicate lighter weights, the Palo Slab super family is a versatile beast that offers you ultimate flexibility.

The heavy weights ranging from Compressed Black to Wide Black are built with super tight spacing and love to be big and bold, so perfect for showing off your brand. The Italic styles add curves to the slab feel, providing a beautiful flow, but we’ve also included an oblique option if you want to use the blockier version.

Palo Slab features extensive latin language support as well as OpenType features such as case sensitive punctuation, old style figures, scientific numbers and ligatures, + arrows.

Amazing Slab is a typeface family designed by Francesco Canovaro and Andrea Tartarelli as a development of the Amazing Grotesk family designed by Cosimo Lorenzo Pancini. Mixing an egyptian serif, low contrast approach with the curved endings and open shapes of humanist sans grotesques, it was developed to embody the energetic and friendly nature of the startup scene: a feeling of innovation, information and energy, with a desire for simplicity and straightforward communication. The basic design shapes for the font come from the strong personality of the extrabold letterforms drawn by Francesco Canovaro for his StartupItalia logo, that informed the display design of the four darkest weights (from medium to black). Each of these weights, has been paired with an inline version, designed by Mario De Libero, to extend the range of uses for the typefaces, from bold signage to logo design, to editorial titling.

The lighter range of the family features two weights (regular and light) that are designed for text use, complemented by the thin and extralight weights that are better suited to big point size, for editorial and signage use.

All the weights of Amazing Slab, as well the matching true italics forms, feature an extended charset of over 900 glyphs, covering 211 languages using latin, cyrillic and greek alphabets, and sporting a complete set of Open type features including positional numbers, annotation and case-sensitive forms, standard ligatures and a wide array of stylistic sets to customize glyph shapes for logo and display usage.

With its friendly, energetic mood and its versatile range of application use, Amazing Slab is born to make every design project look simply… amazing!

• Suggested uses: old signage, logo design, editorial titling, display

• 21 styles: 8 weights, 8 italics, 4 inline styles, 1 variable font

• 965 glyphs in each weight

•  Useful OpenType features: Small Capitals; Standard Ligatures; Discretionary Ligatures; Stylistic Alternates; Stylistic sets 01, 02, 03, 04, 05, 06; Ordinals; Fractions; Tabular Figures; Old-style Figures; Slashed Zero; Circled Numbers; Case Sensitive Forms; Numerators; Denominators; Subscript; Superscript; Scientific Inferiors;

• 211 languages supported (extended Latin, Cyrillic, Greek alphabets):
English, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Turkish, Italian, Polish, Afaan Oromo, Azeri, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Greek, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Bashkir (Latin), Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Karakalpak (Latin), Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Gagauz (Latin), Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Tuvaluan, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük

Haeock is very readable, an beautiful slab serif designed by Pedro Alexandre Teixeira.
This font family works very well on packagings, branding and editorial design, tiles, books, magazines, corporate design.

Town Meeting JNL (available in both regualr and oblique versions)  is a modified version of Mud Creek JNL (which was based on Tuscan Egyptian – a classic wood type).  The side spurs were removed and the split serifs were replaced by slab serifs.

Gravtrac is a slab serif headliner designed to deliver solid punches while taking up as little horizontal space as possible. Inspiration comes from mid twentieth century classics: Univers 59 Ultra-Condensed, Helvetica Inserat and Compacta. It’s all about flat sides, a steady rhythm and tight, precision curves. The widest style of Gravtac is Condensed—compact, yet a comfortable read, available in 7 weights from Ultra-Light to Heavy. Gravtrac Compressed is probably the width where most typefaces would quit. It’s narrow enough for most…but not for you. That’s why we have Gravtrac Crammed. It’s audaciously narrow—perfect for times where you want the reader to slow down and truly pay attention to the message. Gravtrac Crushed is devilishly slender. Try it with wide tracking for a stark, opulent look. All styles are also available in obliques varying from 7 to 10 degrees—58 styles in total. Gravtrac includes Opentype fractions, numeric ordinals, a breadth of currency symbols and old-style (lowercase) numerals. Almost all current Latin based languages are supported as well as Greek and Cyrillic. Every skilled designer already has slab serif typefaces in their stockpile but some of us have the need to squeeze.

Antique X Condensed is a condensed slab serif font found with the pages of a Rob Roy Kelly book of wood type designs.

It was introduced around 1840 by Wells and Webb, and the example served as the model for General Merchandise JNL, which is available in both regular and oblique versions. 

Alderman JNL is a wide slab serif typeface based on the classic wood type Antique Light Face Extended, and is available in both regular and oblique versions.

Novecento Slab Rough adds a letterpress / analog effect to its Slab Serif parent. Each letter has a different pattern and gives you a truly realistic effect. Even accented variants of any base character are all different.

This font has also a built-in feature that automatically displays a texture variant for the 2nd occurrence of a letter or a number when they appear close one to each other. For instance: AA OO TT ÜÜ. But also: AOA NON TXT etc. And don’t forget alternate glyphs design such as N I J Q Y and all other features present in the Novecento mega family: 32 styles, 76 latin languages supported, 590 glyphs and 16 stylistic opentype features for advanced typography.

Vintage wood type with a strong Clarendon influence served as the model for Slabserif Wood JNL, which is available in both regular and oblique versions.