Sohail Orozco

There’s nothing stinky about this font, don’t worry! But what’s is up with Stink Buster is a whole lot of serifs gone bad! Each letter is loosely based upon the classic slab serif style, but influence by grafitti and comics just made them crooked and off the grid.
But despite that, the font works great if you have a message that you want shouted out loud!

Kate Slab Pro is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios.
It is designed to work in big attention grabbing headlines as well as in smaller text and even body text.

The recognition value of Kate Slab Pro is its biggest asset in world of uniformity.
Ranging from “100 Thin” all the way to “900 Black” makes Kate Slab Pro such an amazing and versatile font family that stands out.
Kate Slab Pro doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity.
To fill all the gaps of a designer’s needs, Kate Slab Pro comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it.

Being a Slab Serif Kate Slab Pro manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades.

Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro.

Perva is a suite of three eye-catching fonts inspired by display types from the 19th century. This unconventional family has three different font styles that can be used individually or combined to build a playfulness multi-typeface design system. It is suitable for titling, posters headlines, book covers, packaging, social media, and branding.
Perva brings together a Slab serif font, a.k.a Antique or Egyptian; a Reverse-contrast or Italian; and an Old English Blackletter.

The design is inspired by the display types listed as “Typographic monstrosities” in Thomas C. Hansard’s book Typographia (1825).
What he found absurd was understood here as interesting and enjoyable to introduce a contemporary approach of the types widely sold by foundries such as Bruce’s New York Type-Foundry and Caslon Foundry.

Each of the three fonts holds around 400 glyphs, covering the languages of Northern, Western, Central, and Southern Europe. Opentype features include case-sensitive forms and a couple of alternates for the Blackletter style.

Alacant is a family of slab serif fonts composed of seven weights and their versions in italics. One of the most characteristic advantages of this font is its particularly square shape, very short descenders, open counter-forms and precise kerning that provides a very good visual impact and clear legibility.

A British boxing film from 1953 called “The Square Ring” had its titles and credits hand lettered in a slab serif type style commonly referred to as “Egyptian”.  Other familiar type fonts which share this influence are Karnak, Stymie and Beton.

Sporting Event JNL was modeled from the film’s titles and is available in both regular and oblique versions.