Sohail Orozco

The letters of ZoidicFun are like sheep: they do not like being alone but want to be part of a flock. Many of the individual letters of ZoidicFun look strange and unshapely in isolation because they are designed to fit into a pattern with other letters. That pattern is formed by alternating asymmetric trapezoids, with trapezoids that are wide at the top alternating with trapezoids that are wide at the bottom. The magic of the OpenType feature of contextual alternatives (calt) automatically alternates them. The fonts in the family are largely monospaced and have very tight letter spacing. (If for some reason one wants to use only one set of the letters, the letters will overlap unless one widens character spacing.) (If D and O are too similar, use the alternative versions of D.)
The family has five weights and each weight has an italics formed by flipping the trapezoidal pattern over a vertical line. Like other alternating-character typeface families from IngrimayneType, this distinctive and visually-arresting family can be used for titles or advertising. (For another but very different typeface based on alternating trapezoids, see PoultrySign.)

The letters of ZoidicFun are like sheep: they do not like being alone but want to be part of a flock. Many of the individual letters of ZoidicFun look strange and unshapely in isolation because they are designed to fit into a pattern with other letters. That pattern is formed by alternating asymmetric trapezoids, with trapezoids that are wide at the top alternating with trapezoids that are wide at the bottom. The magic of the OpenType feature of contextual alternatives (calt) automatically alternates them. The fonts in the family are largely monospaced and have very tight letter spacing. (If for some reason one wants to use only one set of the letters, the letters will overlap unless one widens character spacing.) (If D and O are too similar, use the alternative versions of D.)
The family has five weights and each weight has an italics formed by flipping the trapezoidal pattern over a vertical line. Like other alternating-character typeface families from IngrimayneType, this distinctive and visually-arresting family can be used for titles or advertising. (For another but very different typeface based on alternating trapezoids, see PoultrySign.)

Vintage small caps serif font family of two styles (Regular and Italic). Well suited for the design of Victorian style headlines & book covers, quotes, labels for tobacco, whiskey, rum, tequila, confectionery. Great for designing t-shirts, posters, playing cards, etc. The capital letters in both variants are ornate and embellished. CigarBox includes a full set of Uppercase Basic Characters, Numerals, and Punctuation. Many letters have stylistic alternates to fit various design options. CigarBox supports Western European, Central European, and South-Eastern European Languages. You can check your language by typing characters in the test box below.

I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass…

Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!

The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique versions.

I seem to be in my astronomical phase right now. I recently released several fonts with names relating to space! Don’t worry, it is just a phase and this too will pass…

Gravity Well is a handmade brush font, ideally suited for product packaging or book covers. Gravity Well comes with all the diacritics you can ask for and a set of double letter ligatures to boot!

The free form hand lettering comprising the titles and credits for the 1966 romantic comedy “The Glass Bottom Boat” were the model for Sightseeing Boat JNL, which is available in both regular and oblique versions.

Bistern is a typeface which is inspired by vintage lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / retro theme.

This typeface contains with beautiful decorative ornaments in vector format that ready to use to create a vintage lettering in sec. It also comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded.

Features :

ornaments in vector format
uppercase & lowercase
numbers and punctuation
multilingual
alternates and ligatures
swashes
PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Christmas Preference is a clean, simple, and natural handwritten font. Not too thin and not too thick, balanced and varied, this font was designed to enhance the beauty of your projects.

The hand lettered film credits for 1937’s “Make Way for Tomorrow” were done in a sans serif design with an ever-so-slight flare and a slightly semi-calligraphic look.

Unusual in both style and varying character thicknesses, the lettering has been digitally redrawn as Retirement JNL, which is available in both regular and oblique versions.

Say hello to my new organic monospaced unicase font! It’s handmade and has this true organic look to it!
Choose between 5 different versions of each letter, or just type ahead and let the Contextual Alternates do their cycling of letters automatically!

The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.

This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.

The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.

This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.

Say hello to my new organic monospaced unicase font! It’s handmade and has this true organic look to it!
Choose between 5 different versions of each letter, or just type ahead and let the Contextual Alternates do their cycling of letters automatically!

The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.

This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.

The opening title from the 1943 Abbott and Costello comedy ”It Ain’t Hay” shows a park bench with the words “Universal Presents” stenciled on it in a chamfered sans serif style.

This served as the design model for Grounds Crew Stencil JNL, which is available in both regular and oblique versions.

Family Deco JNL was inspired by the bold Art Deco hand lettering of the movie credits for the 1936 Laurel and Hardy comedy “Our Relations”, and is available in both regular and oblique versions.

Say hello to Nightingale Script - an intentionally imperfect, antique script based on old manuscripts, and handwritten notes from an era long ago.

Emulating beautiful penmanship, it’s perfect for adding a romantic old-world feel.

Includes a small selection of Opentype Ligatures and alternate letters (see preview) .

Rupert is your new best friend! the type who’s truly happy when you’re happy, excited when you’re excited, and sad when you’re sad. He’s always has your back and is never judgemental.

Rupert is a geometric sans-serif consisting of 8 weights, ranging from Thin to Black with matching italics. At the moment he supports extended Latin and plans on growing in the future to cover all of your needs. Rupert’s OpenType features include tabular and old-style figures, fractions, ligatures and case-sensitive forms.

He’s flexible to accommodate all of your graphic needs including display, corporate, editorial, web and many more environments. And the best part is… Rupert Light is free to download! So grab it now and begin building great work together.