Sohail Orozco

Patmos Serif is a hand drawn serif font, inspired by the art of the cyrillic calligraphy, as well as the script of the Greek Orthodox art. The font contains Latin, Greek and Cyrillic alphabets and it is delivered in Opentype and Truetype format. It supports Central, Eastern, Western European, Baltic, Turkish, Greek and Russian languages. Patmos Serif polytonic is an additional font that contains only Greek polytonic alphabet.
Patmos Serif has a variety of stylistic alternates and classes, titling altrenates, discretionary and standard ligatures. The font is fully unicode-mapped (PUA encoded). This means that you can still access the Open type features even if you don’t use a software that supports Open type fonts.
Decorative ornaments The standard ligatures are 4 decorative ornaments, that you may add at the end of a word and they fit perfectly with the titling alternates. All you have to do is to make sure that ‘standard ligatures’ are activated in your application and then type d and a number from 1 to 4

Kandij is a Dutch word and it means ‘Rock Sugar’. We Dutch use it in a lot of products, from ‘ontbijtkoek’ (a rye based spiced cake we sometimes eat for breakfast) to Fryske Sûkerbôle, A Frisian sweet bread.

Kandij is a fat and happy font. I’d probably use it for any book or product aimed at children, as it has a certain lumpy cuteness.
Comes with diacritics and swashes for the upper case letters.

Boring Sans, designed by Cosimo Lorenzo Pancini, is a typeface family designed along two variable axis: weight and weirdness. These two parameters allow designers to explore a full range of variations on sans serif design, starting from a neutral set of proportions and evolving to a strongly contrasted and dynamic treatment, ready to raise eyebrows on social media.

The basic “A” subfamily, developed in in five weights plus italics, behaves like a traditional, solid workhorse sans serif, with finely tuned proportions for optimal readability and minimal emotional impact. The “B” subfamily, developed in the same ten weights, shows a more contemporary “brutal” approach, with slanted lines, deep ink-traps and stronger contrast. All these features are brought to the extreme in the ten weights of the “C” subfamily, with each letter a bombastic show of exuberant weirdness. Each of the style variant is developed in five weight with matching italics, with a glyph set covering extended latin languages and including many alternate forms and stylistic sets.

This all started as a bunch of letter written using a squared paper as a guide. It all turned out fine, but there was something that wasn’t quite right…it was boring! I took all the letters and grunge it all up and did all the drips as well - and suddenly that boring look was gone!
That was an unlikely development!

Anachronic is the polished version of our Chronic font family and preserves its libertarian dna. It’s kind of strong, while friendly. Because sometimes you’ve just got to be bold — pero sin perder la ternura jamás!

Ansage does not claim to be neutral; it escapes from the rationalist sans of closed strokes and regular forms. Meaning Announcement in German, Ansage is versatile and communicates effectively across a broad range of media and formats such as branding, posters, websites, apps, titles and compositions with little spacing).

Ansage is a sans serif font with a strong personality that emerges from an interest in and the study of a wide variety of typographic specimens of Gothic fonts from the nineteenth century. The design process behind Ansage brought about constant transformations in form; the result is a compact and robust font, with a large x-height, small ascenders and descenders, and open terminals that grow in expressiveness as it increases in weight.

It is available in 10 weights, ranging from Hairline to Black, and 3 widths – Condensed, Regular and Expanded – plus italics, which make a total of 60 perfect variables to combine and contrast with each other. In addition, it also includes multiple open-type functions such as alternative styles, Old Style Figures, Tabular Forms, fractions, case sensitive, ligatures and more.

Fudge Sauce is a fun font duo from Blue Vinyl Fonts!

Fudge Sauce contains the following opentype goodness:

Contextual Alternates
Let’s start with the starting and ending lowercase letters! Sentences with only lowercase typically need some oomph. The starting lowercase letters add impact and balance. Lastly, the lowercase endings finish words off nicely.

The lowercase L gets an entry stroke where needed to add balance.

Swashes
Swashes can be turned on and you shouldn’t have to worry about collisions. If in a rare situation you get a swash that doesn’t play well with others, just highlight it and turn off swash for that character. You can also just drop in swashes manually.

Ligatures
Ligatures will add variation with some common double letter combinations. Turn on Ligatures and swashes and the double lowercase t will come alive!

Alternates
There are alternates that can be manually selected from the glyphs palette. Highlight a letter and check to see if there are any alternates that can be applied.

Stylistic Alternates
With stylistic alternates on, you get a traditional double story uppercase and lowercase Z.

Ornaments
There’s a few brushy swoops. These need to be placed manually in a graphics program.

Fudge Sauce Caps is an all caps font that pairs well with Fudge Sauce!

Language support is broad for both fonts and extends to the Central European market. Fudge Sauce contains 784 characters and Fudge Sauce Caps contains 366 characters.

The Novera family is a sharp geometric sans in ten weights plus matching italics, available in two versions – Modern and Classic. It has a contemporary, approachable and multifunctional yet characteristic design, that comes with an extensive glyphs set of 1000+ glyphs per font, meeting all typographic demands.

The Design
Vertical terminals, circular shapes and angular apexes – Novera truely breathes geometry! But the concept goes beyond the application of rational geometry. The intension was to create a highly legible family suitable for every day usage inspired by the work of Paul Renner, Eric Gill or Jakob Erbar, combining the geometric with the human and the functional with the unconventional. Although Novera is inspired by the past, its appearance is unmistakingly modern.

Modern vs Classic
Novera is available in two versions - Modern and Classic - born from the same source file but with different characters set as default. This creates subtle but effective distinctions such as the double-storey a (Novera Modern) which is optimized for legibility in longer text paragraphs, as opposed to the single-storey a (Novera Classic) which allows a purely geometric appearance. Another distinguishing feature are the ascenders on Novera Mondern, which extend above the cap height for an elegant presence, compared to the ascenders on Novera Classic, ending at the cap height, for a compact and helvetica-flavored look. Novera Modern was intended for usage in body copy, whereas Novera Classic was planned for headlines, short paragraphs or logos, but both versions can be used vice versa too, of course.

Alternate Characters
To maintain neutrality and a modern appearance, the standard character set largely dispenses with idiosyncratic forms. This is in contrast to the alternative forms with the gill-like lowercase letters g and t as well as a traditional shape of S and the German ligature t/z, which traces back to old German spellings. Also inspired by German poster designs from the early 20th century are the elongated i-dots and dieresis-dots that can create eye-catchers in headlines or logos. By the way, both versions, Novera Modern and Classic, can be created via stylistic set 1, 17 and 18.

Say hi to Hopkins and Angela, a casual handwritten font that will convey your messages with personal touch. It comes with underlines which you can access using the opentype feature.

This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Email us to letterhend@gmail.com if you need something! Happy Designing!

Moranga is a contemporary, serif, retro-style typeface with a strong personality. Its design is a mixture between Café Brasil’s flowing, organic shapes and elements from 70’s popular fonts such as Cooper and Souvenir.

Moranga, in 5 weights and matching italics, is the perfect choice for headlines, display use and high-impact or friendly designs.

Moranga contains a set of more than 400 characters and supports over 200 Latin-based languages.

Redig is a bold condensed display typeface with an assertive and athletic aesthetic. Inspired by newspaper headline typefaces from early 1900s it has chamfered corners with rounded edges that smooths out some harshness and generous x-height to its lower case characters.

Redig will shine when used big. And I mean BIG. This is certainly a case when “bigger is better” really is the truth.

Redig comes with an oblique style and ligatures and works best in headlines, logos, branding, social media or any display type use. Use it big.