Sohail Orozco

Antikor is mono geometric sans family of 3 styles, 55 fonts with real italics…
All fonts of the family contain 800+ glyphs and equipped with typographic features.
Styles: Mono, Text, and Display

Antikor Text is designed for those who prefer to use monospaced fonts not only in coding but in many different media. The idea came from creating a typeface with monospaced aesthetic without disturbing aspects of monospaced typefaces . Antikor text has proportional spacing and precise kerning to avoid poor rhythm and track in reading text. It also provides wide range of useful features with extended glyph set.

Antikor Mono is geometric sans monospaced typeface with all typographic features except spacing and kerning. As other styles it has many opentype features and extended character set including SmallCaps, Stylistic Alternatives, Scientific Numbers, Fractions, Oldstyle Numbers, Case Sensitive Forms, Arrows, Circled numbers and etc… It is designed to meet all the needs of the monospaced text fields.

As Antikor is a versatile family, Antikor Display is a very alternative typeface with playful calligraphic curves. It is designed with the idea of creating a contrast and eye catching touch in display use of typography. It creates tasty contrast against the serious and solid monospace look.

Each style has 11 weights ranging from Hairline to ExtraBold + real italics.

Rembord is a modern connected typeface, slant and slightly condensed,  this font include a wide selection of swashes, stylistics alternates, stylistics sets and ligatures.

Introducing, Holystone. A natural hand writing script typeface. Very suitable to be used as a headline, instagram post and stories, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded

We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at letterhend@gmail.com

A typeface specially designed for children’s titles,
contains different weights from Thin to DemiBold, with extras 
with Dingbats and many Alternatives.

Tasty Joke was made with a slightly bulgy pen, and by using a loose touch.The result: two fine kinds of naive and lively letters. Combine the Regular and Line versions for cool results.

Dingos is a display & joyful typeface specially handcrafted for strong and powerful usage, with a versatile touch.

Consisting of 4 styles, Display, Display Outline, Stamp & Stamp Outline, Dingos is perfect for any medium or large use due to the precise shape of its outlines, which were hand-crafted glyph by glyph. Perfectly suited for graphic design and any display use!

Some of Dingos’ features are ligatures for specific character combinations, kerning, numerators, fractions for any number combinations, arrows, and a large glyph coverage to ensure an extended language support. In addition, the Stamp styles include three alternating alphabets to avoid repeating textures, providing a more natural feel. All of these, and more, will make your work distinctive and powerful!

Designed by Julia Martinez Diana, and published in 2020 by Antipixel type studio.

Cal Fraktur Brush is one more font from the PKG “Cal” (Calligraphic) group. This time, we used a wide brush instead of the calligraphic pen for the sketches.

This font is widely used in the typographic creation of shorter text forms such as headlines, tattoo and graffiti quotes, book covers, t-shirt designs, logos, posters, movie spots, banners, labels…

Made in Germany, Referenz Grotesk is a typeface full of references referring to the type design history of Stuttgart State Academy of Art and Design. Its typographic history holds a broad spectrum of shapes and characters, including F.H. Ernst Schneidler (1882–1956), Imre Reiner (1900–1987), Walter Brudi (1907–1987), Kurt Weidemann (1922–2011) and Frank Heine (1964–2003).

During extensive research phases for Referenz Grotesk included collection and analysis. This led to further research in the Academy’s collection and archive where the majority of Weidemann’s estate is housed next to works of other designers and professors like F.H. Ernst Schneidler and Walter Brudi. Another place of research was the typesetting workshop where Schneidler had previously taught and worked. Some of his freshly cast fonts were tested and used there for the first time and are still stored in several of the type cases. Regarding the more recent history, for instance about the Emigre designer Frank Heine, former colleagues and professors have been consulted.

These studies resulted in the new font Referenz Grotesk that includes traces of Kurt Weidemann’s Corporate as well as calligraphic hints that link to Schneidler’s Stuttgarter Schule (Stuttgart School) where writing played an important role during the form finding process. For the regular text fonts these features are integrated in a subtle manner whereas several alternative glyphs pick up more expressive forms.

The final sans serif type family has a clarity and contemporary straightness that becomes more characteristic in its heavier weights. Additionally more than 60 alternative glyphs per weight allow for individual combinations that can be tailored specifically for each application and context. They open up a broad range of visual expressions, from subtle to playful and eccentric characteristics.

Referenz Grotesk is available in six weights: Light, Regular, Medium, Bold, Extra Bold and Black, plus italics. In addition, the family includes multiple OpenType functions such as Stylistic Sets, Tabular Figures and Case Sensitive forms. Variable version of the font is included when you license the full pack.

That tie you wore in the 1990’ies…the one from the 1980’ies…perhaps even the one from the 1970’ies…could look obnoxious today - or maybe ... it’s super fashionable these days! :)
This Obnoxious Tie is a mix of upper- and lowercase ... well, that goes for the “lowercase” - the uppercase is uppercase, just as usual!

Bodoni Z37 is a twenty-first century Didone typeface with a dynamic range of widths, weights and optical sizes. Stylistically, what really sets it apart from other typefaces in its category are flat sides and a geometric Deco style. Razor thin lines are captivating at large sizes but can be hard to deal with when you get really small. Rather than compromising, Bodoni Z37 was created with three optical sizes:

Large (Bodoni Z37 L) with high contrast, fine lines and tight spacing
Small (Bodoni Z37 S) with sturdy lines, more generous spacing
Medium (Bodoni Z37 M) which is right in-between

Bodoni Z37’s cute, curly italics have loose spacing for clarity and emphasis. Lining numerals are kerned and proportionally spaced. There are OpenType fractions, numeric ordinals and old-style (lowercase) numerals too. Almost all current Latin-based languages are supported as well as Greek and Cyrillic. Four weights, four widths, italics and 3 optical sizes add up to a whopping 96 fonts. There are lots of other Didones and Bodonis to choose from but investing in something contemporary and versatile like Bodoni Z37 will end up saving you lots of time and money.

Tresor is a new Sans Serif font family with contrast. It has a classic look and a romantic twist thanks to its extended set of decorative alternates and ligatures. Tresor, meaning “treasure” in French, is full of jewels, including a beautiful collection of swashes. More than 1000 glyphs accessible through OpenType features invite you to customize your test.

This stylish & modern font family includes 2 different styles and 3 different weights. The thinnest weight is Tresor 100, with Tresor 200 and 400 you get an extra thickness, heavier weights that are perfect for small sizes. Tresor works beautifully for headlines, weddings invitations, instagram posts, packaging design, stationery and logos.