Sohail Orozco

Raspail is a contemporary calligraphic font inspired in a copperplate. Raspail has a great inclination with extensions of ascending and descenders strokes, widely ornate,  and a special emphasis on the connection of the letters. This font contain more than 350 alternates, 50 ligatures and a great set of ornaments.

Confitería is the Spanish word for a shop where sweets and chocolates are made and sold, which sometimes has a tea room. And now Confitería is also a font that brings to mind lettering piped on delicate cakes ... sweet but never sickly.

This font captures something of that simple and innocent beauty of traditional confiterías, where good manners will never go out of fashion, menus are elegant and time comes to a standstill to make way for life’s little pleasures. A confitería is a perfect place to share sweet tidbits with a friend or date, eavesdrop on the conversation at the next table, read a book, or just people-watch from the window. I celebrated my last birthday at one.

There is one iconic confitería in Buenos Aires that I love more than the rest because, some 60 years ago, it put up its marvellous sign and never took it down. Walking by it is sure to bring a smile to your face. It’s big. Very big. And the lettering in its name is written in a timelessly beautiful vertical script – the most attractive I have ever seen.

I joined forces with Sol Matas – who worked with me to update the Montserrat font –to design this geometrical connected font with pleasant, even strokes. It is elegant and saccharine-free. And to top it off, it comes in several flavors.’

Welcome! What can we get you?

Fraktion Sans is a semi-technical grotesk exploring the space between mechanical sturdiness and expressive clarity. Compact capitals and squared-off rounds with true verticals lend the typeface a steady rhythm. It comes in six weights from Light to Black and offers plenty of typographic solutions through OpenType features like case sensitive punctuation, stylistic alternates, fractions, slashed zero and tabular and old-style figures. Fraktion Sans works great for branding, packaging, editorial or any display application and comes with an expansive character set that covers over 200 languages. Furthermore Fraktion Sans is manually kerned and auto-hinted for crisp display on screen.

Osaca is a sans serif font family inspired by nature and it is composed of 6 weights, from extra light to heavy, including the matching italics.
Osaca is a typeface that doesn’t go unnoticed due to its particular design: its curves and lines mirror the typical motif of leaves.
Osaca is ideal for large and medium headers and titles, but also perfectly suitable for short or large paragraphs as it creates an effect that is quite different from the classic sans-serif and definitely unique.

Coffinated features letters on coffin shapes. This caps-only family has two sets of characters, with one set on coffins that are flipped from those in the other set. The OpenType feature contextual alternatives (calt) prevents two characters from the same set being adjacent. The two styles, bold and regular, can be used in layers to add color. There are not a lot of uses for macabre lettering but Coffinated is available for those who do find a use.

Wright is a sans-serif geometric typeface inspired by the lettering found on modernist building plans. An elegant small x-height, tall ascenders and wide capital letters make the font look great in titles and short paragraphs.

Wright consists of 4 subfamilies, each in 6 weights plus italics—48 fonts in all. Its wide range of alternates and ligatures make it an ideal workhorse suitable for a variety of projects and give your designs a stylish appearance and unique look.

As you would expect from Latinotype, this font comes with a standard set of 800 characters and supports over 200 Latin-based languages.

Kenac is an elegant, fresh and modern serif typeface, with unusual yet functional shapes, that combines characteristics of Roman type with elements of calligraphy and Victorian style.

Its singular modulation and contrast between thick and thin strokes make it look great in titles. In order to ensure ease of use, the Kenac family includes only 5 weights while its matching italics provide contrast and make the font a harmonic choice for continuous text.

Kenac has a unique appearance that makes it ideal for editorial design such as book covers and magazine website’s headers as well as brand identity design.

Blacker Sans Pro is a complete redesign and development of the original family designed by Francesco Canovaro in 2019 as a sans-serif variant of the successful Blacker created by Cosimo Lorenzo Pancini and Andrea Tartarelli. The original idea of Blacker Sans was to create a versatile pairing for Blacker, parting with its spiky wedge serifs but keeping its dark, elegant character and extending its weight range to 20 weights including italics.

This Blacker Sans Pro family did also differ in contrast from the original Blacker family, choosing a more even and monolinear, almost grotesque approach. This choice that favored versatility over elegance left some of the original uses of Blacker not covered by its sans counterpart, and so two subfamilies were added, applying to the same skeleton varying degrees of contrast, from the readability-optimized medium contrast of Blacker Sans Text to the extreme variations of Blacker Sans Display, with its elegant juxtapositions of thin curves and thick black slabs.

The original signature details of Blacker, like the hook shape of lowercase “f”, have been complemented by new alternate forms, ligatures and swashes, with stylistic sets providing options to easily make logos and headings stand out. The wide range of OpenType features (that includes also small caps, positional numbers, and alternate punctuation) is applied to all the 60 weights of the family, each with over 1600 characters offering language support for 220+ languages using Latin, Cyrillic and Greek alphabets.

Ready to make your text look gorgeous? Ditch your usual sans-serifs and try Blacker Sans Pro!

The hand lettered Art Nouveau title on the sheet music for “Why Don’t You Try” (1905) served as the inspiration for Tryout Nouveau JNL, which is available in both regular and oblique versions.

The cover of the 1929 sheet music from the First National/Vitaphone picture “The Girl from Woolworth’s” had its title (“Someone”) hand lettered.

This single word title was the model for Store Clerk JNL, which is available in both regular and oblique versions as well as solid and solid oblique versions (without an inline).

A bold, casual sans serif with rounded ends and an inline, Store Clerk JNL is perfectly suited for projects where a strong, yet playful title is necessary to grab the reader’s attention.

For those old enough to remember, Woolworth’s was a leading “Five and Dime” store chain, especially in the days when a nickel or a dime actually could purchase something.

This one is all about a flashy retro style. I wanted to create something with a bit more ‘bang’. So I set out to make a mixture between blocks and parallel lines.

Because it is an all caps font, I decided to make the lowercase set into a second set of glyphs. They are similar to the caps, but with less blocks in the letters. I included all glyphs from LatPro, except for two ligatures.

It is pretty niche, and it works best as the centerpiece of a poster or as a foreground in front of photos. Due to it’s complex shapes, it’s a little difficult to pair up with too many other elements and fonts, but it’s certainly an eye catcher!
In very small it creates moire, but also if seen from afar, the parallel lines create a sort of illusion of partial transparency.