Sohail Orozco

Redoneta™ is a contemporary geometric sans serif family of 6 weights with its matching italics. From a refined Thin to a solid Regular and a forceful Bold gives us multiple voices and uses according its multipurpose vocation. Also, its smooth and clean shapes gain more personality with his alternates: from rounded to square and angular forms across 7 combinable stylistics sets. Dozens of Latin languages supported and other OpenType features as fractions, superscript, subscript, tabular figures, arrows and more give useful tools to the user for editorial design, web or others intensive uses.

Zuume Rough is a textured, bold, condensed sans serif display font family. A sister to Zuume, this version features a rough printed texture for a more natural and raw look. Coming in regular and bold weights with italics, the fonts can be tightly spaced and stacked for a visual punch or spacing loosened for a little more breath.

A distinct characteristic of this all caps typeface is the notched and extended ink traps meant for both function and aesthetic interest. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more.

Also part of each font file are matching pre-designed catchwords that add interest to your typography. Stylistic alternates and arrow glyphs increase the options available as well.

Zuume Rough has many features:

• Catchword glyphs (PUA-encoded)
• Stylistic alternates
• Arrows
• Fractions, numerators, denominators
• Superscript, subscript
• Slashed zero

With about 600 glyphs, this font has extensive multilingual Latin language support (100+ languages) for Western, Central, and South Eastern European.

Introducing, The Randi - A monoline handwritten script with classy look. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

Introducing, The Amberton - A classic script typeface. This font has unique swashes, inspired by classic floral ornaments. Another thing that make this font even more unique is this font has total 290 alternates which you can play around and creates beautiful lettering in a sec.

Perfect to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded
- 290 alternates

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

“Istanbul Type” has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility.

“Istanbul City” has the modernity of the west and the orientalist texture of the east as the city that unites the Asian and European continents. “Istanbul Type” also includes these features. It is a unique character that reflects the spirit of “Istanbul City”. Many letter alternatives prepared with care have been created for all letters. You can make dozens of combinations from a word using these alternative letters.

“Istanbul Type” is an effective set for creating identities for branding, posters, book covers, headlines, logotypes, restaurants, menu cards, wedding invitations and so on.

“Istanbul Type” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation “Istanbul Type 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. “Istanbul Type” 5 weights and italics total 10 types. The family contains a set of 2.200+ characters.

Case-Sensitive Forms, Classes and Features, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures just one touch easy In all graphic programs.

You might have a crush on this typeface :)

Do not hesitate to consult me for information about fonts before, during and after purchasing. You can contact me at “buyuksel@hotmail.com”.

Enjoy using it.

Calligraphic font inspired by uncial and gothic cursive scripts. Readable yet very Celtic, medieval, Viking kind of look. Good for beer, whiskey, Scotland / Ireland / Norway / Sweden related products, as well as magic or gaming niches. Basic Latin and Scandinavian character sets are supported. There are also alternatives for some letters

Raspail is a contemporary calligraphic font inspired in a copperplate. Raspail has a great inclination with extensions of ascending and descenders strokes, widely ornate,  and a special emphasis on the connection of the letters. This font contain more than 350 alternates, 50 ligatures and a great set of ornaments.

Confitería is the Spanish word for a shop where sweets and chocolates are made and sold, which sometimes has a tea room. And now Confitería is also a font that brings to mind lettering piped on delicate cakes ... sweet but never sickly.

This font captures something of that simple and innocent beauty of traditional confiterías, where good manners will never go out of fashion, menus are elegant and time comes to a standstill to make way for life’s little pleasures. A confitería is a perfect place to share sweet tidbits with a friend or date, eavesdrop on the conversation at the next table, read a book, or just people-watch from the window. I celebrated my last birthday at one.

There is one iconic confitería in Buenos Aires that I love more than the rest because, some 60 years ago, it put up its marvellous sign and never took it down. Walking by it is sure to bring a smile to your face. It’s big. Very big. And the lettering in its name is written in a timelessly beautiful vertical script – the most attractive I have ever seen.

I joined forces with Sol Matas – who worked with me to update the Montserrat font –to design this geometrical connected font with pleasant, even strokes. It is elegant and saccharine-free. And to top it off, it comes in several flavors.’

Welcome! What can we get you?

Fraktion Sans is a semi-technical grotesk exploring the space between mechanical sturdiness and expressive clarity. Compact capitals and squared-off rounds with true verticals lend the typeface a steady rhythm. It comes in six weights from Light to Black and offers plenty of typographic solutions through OpenType features like case sensitive punctuation, stylistic alternates, fractions, slashed zero and tabular and old-style figures. Fraktion Sans works great for branding, packaging, editorial or any display application and comes with an expansive character set that covers over 200 languages. Furthermore Fraktion Sans is manually kerned and auto-hinted for crisp display on screen.

Osaca is a sans serif font family inspired by nature and it is composed of 6 weights, from extra light to heavy, including the matching italics.
Osaca is a typeface that doesn’t go unnoticed due to its particular design: its curves and lines mirror the typical motif of leaves.
Osaca is ideal for large and medium headers and titles, but also perfectly suitable for short or large paragraphs as it creates an effect that is quite different from the classic sans-serif and definitely unique.

Coffinated features letters on coffin shapes. This caps-only family has two sets of characters, with one set on coffins that are flipped from those in the other set. The OpenType feature contextual alternatives (calt) prevents two characters from the same set being adjacent. The two styles, bold and regular, can be used in layers to add color. There are not a lot of uses for macabre lettering but Coffinated is available for those who do find a use.