Sohail Orozco

• 50 styles in total, covering 5 widths and 10 colourways.
• Includes a Mono Transparent version with a transparent shadow.
• Each font contains 219 glyphs.

SB Raster is a blocky, bold, rectangular typeface with square pixellated corner details reminiscent of early videogame graphics. SB Raster has a strong retro flavour and works well at large sizes and in strong colours alongside similarly strong, geometric graphics.

This is the SVG Color Font version of SB Raster, containing 50 font files covering 10 colour ways and 5 widths. Each font contains 219 glyphs. NOTE: Custom colours are available on request.

The single layer Opentype version of SB Raster is here: https://www.fontspring.com/fonts/selfbuild-type-foundry/sb-raster

This capitals-only typeface started life as an extended pixelfont but as the design developed, it morphed into something with a more retro-digital arcade feel. The resulting typeface is well suited to anything related to retro computing, 8-bit consoles and game graphics. Its heavy, wide letterforms give it impact and it is best suited to display and headline use, perhaps on posters or as part of a logo.

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A NOTE ON SVG COLOR FONTS:

You will need to check compatibility with your software to see if it works with SVG Color fonts, as this is still a relatively new technology.

Applications that support OpenType-SVG fonts:

• Adobe Photoshop, version CC 2017 and later.
• Adobe Illustrator, version CC 2018 and later.
• Adobe InDesign, version CC 2019 and later.
• Affinity Designer, since macOS 10.14 Mojave.
• Pixelmator, since macOS 10.14 Mojave.
• QuarkXPress, version QuarkXPress 2018 and later.
• Sketch, since macOS 10.14 Mojave.

Web browsers that support OpenType-SVG fonts:

• Safari, since version 12, macOS 10.14.
• Safari Mobile, since iOS 12.
• Firefox, version 32 and later.
• Microsoft Edge, Windows 10 Anniversary Edition and above.
• In Windows 10, the DirectWrite and Direct2D platform components allow OpenType-SVG support in any apps that use those APIs

Introducing, Wisteria Notes - A beautiful script based on manual hand writing. Inspired by old-fashioned calligraphy script, so classy and classic! This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

Unique and beauty Modern serif family including 30+ ligatures and 100+ alternates to mix and match for a stunning display or header.

This versatile family consists of 10 weights, variable styles as well as multilingual support, numbers, and currency symbols.

Suitable for use in many design forms, for example, magazines, logos, web design, DIY projects, quotes, packaging, postcards, vintage or retro look badges, old classic music, the 60s, 70s, 80s era, stickers, label, wedding theme and many more. We recommend using Adobe Programs.

to access alternate

- Adobe Photoshop go to Window - glyphs
- Adobe Illustrator go to Type - glyphs

What’s for lunch? - Sound! Soundlunch?! Yes! :)
Get ready for dinner - sound is on the menu and it is tasty!
Tall and thin all caps letters with contextual alternates (5 different versions of each letter that automatically cycles as you type) and multilingual support!
Bon appetite!

Silqa is distinctive display family inspired with art deco style. Unique family that combines cutoff letter shapes, swashes, geometry and jumpy ascender value is ideal for titles, headlines and product names – in every usage where originality is desirable.

The early inspiration designs for Kalpa are from some old wrist watches dials from an iconic diving watch brand.
The result is a sharp and sleek design that gives an extremely strong look to the font.
The design comes with some alternatives design which enhanced the use of the font and let you customise your letter works.

Kalpa comes in 4 weights and italics to make it versatile and easy to use on all kinds of media.
It is a wise choice for headlines, logos, branding, packaging, publications and websites
The name comes from a Sanskrit word meaning a relatively long period of time to connect with its early inspirations of wrist watches dials.

Tabula is based on a subtitle font project developped but never released.
It is a font family suitable for small editorial texts and for large signage titles.

It is a sensitive sans-one that is not restricted to geometric shapes but has a subtle calligraphic, foundation which make it highly readable.

Taco is a new Mexican style font family based on our Tavern and Algerian Mesa type designs.

When I finished the extra heavier weights for Tavern I decided to play around with a decorated version, the extra bold letters allowed for much more room to work with an inlay pattern.

After experimenting with several designs I decided on a Mexican pattern because the original base font is very popular in Mexican restaurant logos and menus plus it’s frequently used on Tequila bottle labels.

I originally planned three weights for the Taco font family, however, after completing the bold weight I’ve decided to release it now so you may put it to use while the regular and extra bold are being produced, sorry I can’t estimate a release date for the two other weights.

To use the fill font layers you’ll need an application that allows you to work in layers such as Adobe Creative Suite products.

Opentype features aware applications are also needed for accessing the many alternate glyphs in Taco, all the alternates that you love in our Tavern fonts are also available in Taco.

All the same alternates that you’ll find in our Tavern font are also in the Taco family.

While the fill font layers are in registration with one another some applications may throw them out of alignment by changing the spacing.
Custom inter letter spacing in Adobe Creative Suite may also throw the fill fonts out of alignment.
We recommend doing your custom spacing first then duplicate the type layer and change to the next fill font and color.

The inspiration for the Taco name of this font family was from a homemade Taco dinner I made for a guest at my house. After dinner I searched to see if there was a commercial font named Taco, there was no such font named Taco and the rest is history.

The old Stephenson Blake Algerian font has come a long way since 1908, and we’re not done with it yet.

Transfer is an elegant monoline font. It gives any text a tech flavor.
Made in 7 weights, called gauges, it helps you cover a wide range of uses.

Transfer was initially a custom font use for titles for the magazine of a famous french books and hi-fi retailer.

Bogart has been designed in 2020 by Francesco Canovaro as a personal homage to the iconic look of low-contrast old-style fat faces, like Cooper Black (Oswald Bruce Cooper, 1922) and Goudy Heavy Face (Frederic W. Goudy and Sol Hess, 1925-1932). Originating from the modern old style of Bookman, these muddy, goopy shapes found their pop culture iconic status thanks to rub-on transfers and phototypesetting systems in the 1960s and 1970s. Positively bursting with hippie energy and exuberant vitality, they often included an extensive repertoire of swash characters, bridging the space between lettering and typography.

In researching these shapes, Canovaro decided to include also the influence of another idiosyncratic american old style typeface, Windsor, quoting its sloping shapes and quirky solutions, and expanding the weight range of Bogart to include a selection of display light weights where the muddy shapes of the heavy weights distill into elegant teardrop terminals. All the nine weights of Bogart, as well the matching true italics forms, feature an extended charset of over 1600 glyphs, covering 219 languages using latin, cyrillic and greek alphabets, and sporting a complete set of Open type features including alternate forms, discretionary ligatures, small capitals, stylistic sets, positional numbers, case-sensitive, terminal and initial swash forms. To add flexibility for editorial usage, a text-oriented Bogart Alternate set of nine weights was added to the family keeping the design more similar to its modern old style model and allowing for a heavy readable mid-weight range.

Hollywood icon Humphrey Bogart, famously said: “things are never so bad they can’t be made worse.”. This typeface was named after him, aiming at a way to embody the moody spirit of vintage typography, from film noir aesthetics, to the pop culture reference, from joyous swash titling and logo design to strict, balanced text typesetting. Because “typefaces are never so good that they can’t be made better”.

Inspired by an 80’s Swiss book cover about mushrooms, WT Null is a modern display typeface with slightly inverted contrasts.

Its mildly extended proportions coupled with the inverted contrast give it a subtle display potency, and a surprising capability to transition between being a quirky display face and a functional grotesque.