Sohail Orozco

Brabon is a new lettering font designed by Carine de Wandeleer. The Open Type features include swashes, also in capital letters, stylistics and contextual alternates and ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms. In addition, we have included some ornaments designed to support the font (access to them through the glyphs palette).

Brabon is doing very well to create titles, logos and posters for brand and packaging, invitations, greeting cards, magazines and book covers, children’s material, fashion and wherever you want. Enjoy it!

Spotted amongst the online page scans from a vintage lettering book, the typeface originally called “Didot Moderne” served as the basis for Dual Line Roman JNL, which is available in both regular and oblique versions.

Duncaster is an organic font with natural vibes! Contain two fonts, Sans and Serif with Rough and Stamp Style. You can use this font for every project. Suitable for branding logo, hand lettering, or apparel design. This font duo also support multilingual, number and symbol.

Pradock The newest geometric Sans-Serif font for a family is easy to use almost anywhere on your website, be it in the header or as smaller text with the Variable concept. A font with a bold aesthetic that is energetic and youthful, this is an excellent choice for the millennial demographic - which is why it is so well suited to use by digital and creative agencies.

                                                                                             
- 18 Font +1 Variable Fonts Family, Opentype Feature                          
- Free updates and added features                                                    
- Multilingual support for various languages including: French,                                   
  Spanish, Swedish, German, Italian, Portuguese, Dutch,  and more ...

Software support (Adobe, MS Word, Pages, etc.). if you want to take advantage of additional OpenType features and style alternatives, use OpenType-savvy software (such as Adobe applications etc.).

Introducing our newest typeface called Portalica - A Stylish Italic Serif font. This typeface has many alternates with swashes that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind!

This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Our Goodwill is a beautiful handwritten font. This versatile script font has a wide range of applications ranging from greeting cards to kids’ crafts and is guaranteed to add a sweet touch to your next design.

Within the pages of “The Essentials of Lettering” by Thomas E. French and Robert Meiklejohn (circa 1912) is an example for creating a sans serif alphabet and numerals. 

The lesson plate is entitled “Upright Single-Stroke Gothic”; a basic monoline font most useful for architectural and drafting plans because of its easy-to-read properties.

This type design is now available as Drafting Class JNL, in both regular and oblique versions.

Deco Signage JNL was inspired by the cast metal letters of a German wall sign “Kaspar Stanggasinger-Haus” in an online display of European signage photography - and is available in both regular and oblique versions. 

Although the original age of the sign is unknown, the tall, thin monoline font it’s based on evokes a definite 1940s Art Deco design influence.

Introducing, Evening River an elegant display typeface. this font is perfect for headline, packaging, branding, etc.

Ardena is a modern sans-serif typeface family. While neutral and clear at first glance, it can be characterized as both pleasant and confident due to its open, rounded forms and vertical terminals. It can be used in both a restrained and expressive way. The thinner and thicker weights are particularly suitable for strong headlines, while the middle weights can be used for typographic challenges and body text. Completed with an extensive character collection, it becomes a real workhorse. A versatile allrounder that is up to all challenges – for Corporate Identity, Editorial, Branding, Orientation and Guidance systems and much more.

Features:
The Ardena family has a total of 20 styles, from thin to heavy with matching italics. With over 1064 characters, it covers over 200 Latin-based languages. It has an extended set of currency symbols and a whole range of Open Type Features. There are alternative characters as stylistic sets, small caps, automatic fractions – just to name a few.

Arrows and numbers:
In particular, the extensive range of arrows and numbers should be highlighted, which are perfectly suited for use in orientation and guidance systems. Thanks to Open Type Features and an easy system, the various designs of arrows and numbers can also be simply “written” without first having to select them in a glyph palette.

Ardena can be tested with the free “Medium” style.

Business Lunch JNL is an extra bold hairline serif font based on Monotype’s Falstaff, which in turn was greatly influenced by Bodoni Extra Bold.

Great for posters, menu headers and other forms of headlining, Business Lunch JNL is available in both regular and oblique versions.