Sohail Orozco

Today has been a busy day. I managed to take the dog for a walk, go for a run, empty the dishwasher, clean the car, vacuum the entire apartment AND make this font! :)
The Busy Day font is all about fun and games: it’s playful, whimsical and legible at the same time. I’ve added an Outline version, Inside and the Regular version. They all work well together or as individual fonts - and they all have multilingual support!

Designed over three years after the second World War, and published in 1949 by the Nebiolo foundry, Normandia was Alessandro Butti’s take on the fat face. As it usually was with Butti’s designs, this face effectively injected a catchy yet expertly calculated calligraphic spin into its source of inspiration — which was the essentially geometric/deco, thicker model of Bodoni’s very popular aesthetic.

The metal Normandia saw some widespread use for a handful of years after its publication, not least because of the multitude of sizes in which it was available. It stepped out of the limelight by the mid-1950s, due to a combination of the popularity of cold type and Nebiolo’s refusal to retool its faces for new technologies. It was copied by a few small film typesetting outfits on both sides of the Atlantic, but never really found its way back to the mainstream. By the time computer type became the norm, Normandia was pretty much relegated to a type historian’s collection of anecdotes.

This digital update of the classic series revives and refines the three original metal designs (Tonda/Regular, Corsiva/Italic, and Contornata/Outline) and expands the character set to more than 600 glyphs per font, including small caps, six types of figures, fractions and nut fractions, a full set of f-ligatures, some stylistic alternates, and other fine typography niceties.

Riley Wow typeface is rounded sans serif. It includes 3 font styles that can be used together to call glowing effect. The typeface supports all European languages based on Latin alphabet.

Rufolo is a family of fonts that can be considered both aesthetic and utilitarian. It has an apparent serif, barely hinted at, whose clear past reference is a beautiful epigraphic script on the marble plate placed at the southern entrance of the Roman amphitheatre, in Pompeii.
Perhaps its origin dates back to Ugarit’s cuneiform writing (as Morrison suggests as the origin of the serif in “Politics and Scripts”) whose characteristic triangular-shaped incision footprint produces a powerful trait that not only gives character to the writing but also facilitates its support and visual compensation of sizes with neighboring signs.
Other clear inspirational references have been Robert Hunter Middleton’s Stellar (1929); Albertus (1932) by William A. Dwiggins; Optima (1952) by Hermann Zapf; And more recently RRollie (2016) by our foundry.
Rufolo collects the attractive characteristic of the stroke endings but the proportions of its structure becomes much more regular, the capitals are in line with a constant square module, while the above references retain the proportions of the Roman Trajan.
Some endings strokes have slightly baroque reminiscence with the intention of giving it greater plasticity and aesthetic enrichment, but absolutely controlled, taking special care of the aspects of readability and expressive neutrality.
Rufolo comes in four weight: Light, Regular, Bold and Black, accompanied by its corresponding Italic versions.

Victorian Alphabets Three is part of a increasing family of complete victorian style alphabets, researched and developed upon a comprehensive number of vintage books, magazines and catalogues from XIX century.

Josef Wein Moderne Blackletter is inspired in the rare work of Josef Heinz, who publish, in 1900 (Wien, Leipzig), a small catalog with gothic and art nouveau inspiration : “Moderne Schriften / herausgegeben und verlegt von Josef Heim”, or, in the french title : Alphabetes Modernes.

Soon, other fonts in that collection… Enjoy it

A playful, casual take on round nib pen lettering was spotted amongst some online scans from an old lettering book.  The free-form and stylized shapes of the letters and numbers are reminiscent of old-time show cards, movie titles and signage in vogue around the early 1900s through the 1920s.

Fancy Show Card JNL is available in both regular and oblique versions.

An online photo gallery showcased a number of vintage and unique signs around Europe – mostly from Germany. 

One particular sign (“1818-Hoofdkant Spaarbank-1921”) was formed in metal and with stencil letters of a distinctive 1970s feel.  This served as the model for Euro Stencil JNL, which is available in both regular and oblique versions.

From the same page of a vintage German lettering textbook entitled “50 Alphabete fur Technikur und Fachschulen” (loosely translated to “50 Alphabets for Technicians and Specialized Schools”) that inspired Trippy Hippy JNL comes Eleckatrical Banana JNL.

It’s another novelty, free form Art Nouveau hand lettered alphabet that works well in recreating 1920s period pieces or for designing a retro-inspired rock and roll concert poster reminiscent of the 1960s.

The name of the typeface is from a line in the 1966 pop hit “Mellow Yellow by Donovan (Leitch), and his extended pronunciation of ‘electrical’: “…E-lec-a-tric-cal’ banana is going to be the very next craze…”

Eleckatrical Banana JNL is available in both regular and oblique versions.

Brabon is a new lettering font designed by Carine de Wandeleer. The Open Type features include swashes, also in capital letters, stylistics and contextual alternates and ligatures. All this makes the text lively and bouncy, without the monotony of obviously repeated letterforms. In addition, we have included some ornaments designed to support the font (access to them through the glyphs palette).

Brabon is doing very well to create titles, logos and posters for brand and packaging, invitations, greeting cards, magazines and book covers, children’s material, fashion and wherever you want. Enjoy it!

Spotted amongst the online page scans from a vintage lettering book, the typeface originally called “Didot Moderne” served as the basis for Dual Line Roman JNL, which is available in both regular and oblique versions.