Sohail Orozco

Don’t let the name “Trippy Hippie JNL” fool you. 

Although the type design fits well with the 1960s-70s hippie movement and the “love generation”, the design is actually straight out of a page from a vintage German lettering textbook entitled “50 Alphabete fur Technikur und Fachschulen” (loosely translated to “50 Alphabets for Technicians and Specialized Schools”).

The novelty, free form shapes and stroke weights of this hand lettered alphabet fits well in creating 1920s period pieces or for designing a retro-inspired rock and roll concert poster.

Trippy Hippie JNL is available in both regular and oblique versions.

Crowd Pleaser is a pleasant, handmade font. I hoped its lively looks, slightly crooked glyphs and overall happy appearance would appeal to many people - so I named it Crowd Pleaser. Well… not entirely true, as I have a list of font names and Crowd Pleaser was the next one up… ;-)

I do hope, however, that you will like this font!

Partially inspired by the mid XIX century german condensed serif typefaces –and a clear connection to Italian classics– Magari extrapolates that idea of fusion to a new level, getting a unique variable font file, or 9 specific weights. With that in hand the user is able to find the perfect match for any design.
From an ultra compressed thin to an extended black style, Magari is a perfect font for display use. It’s jazzy vibes and wide range of weights make it incredibly perform in advertising, packaging or editorial design, assuring great impact whether it’s thin and tall, or big and bold.
The addition of three kinds of endings for the lowercase –from a serif to two tailed strokes– and two different swash sets for the capitals, Magari lets the user play with infinite results.

The name Magari comes from a lovely italian expression that can be used for many positive things, exactly the same we’ve thought for this new typeface. 

eally, there is nothing stupid about this font. In some strange and weird way, I just thought that the name sounded like something eye-catching - in the same way that the font is eye-catching!
It may look like your average comic font, but it’s not! I carefully put a lot of funk, twist, comic and a spoonful of pizzadude into each and every letter. The result is a bouncy crazy looking comic font. Oh, I almost forgot - I topped the letters with a spoonful of grafitti mixed with the sounds of a party…that’s the recipe for this lovely multilingual font! :)

Redrawn from lettering found on a British publication circa the 1930s, Retail Price JNL is an extra bold display inline sans that’s great for catchy headlines, price cards, banners or any other attention-getters.

Retail Price JNL is offered in regular, oblique, solid and solid oblique versions.

Introducing, Lambered- a standout bold script with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates / swashes and ligatures
- PUA encoded
- illustration bonus pack

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Lightbox 21 is a radical update of my previous version of a geometric sans serif. The design of the original Lightbox was fundamentally based on the idea of incorporating the proportions of the ‘Golden Ratio’ into each letterform; Lightbox 21 greatly improves on this concept by entirely abandoning it. The result is a much more readable, ‘natural’ typeface that retains elements of the original without being bound to it.
Overall, Lightbox 21 has been designed to convey that classic feel of a geometric sans that makes the genre so tremendously enduring and versatile, as well as providing an effortless sense of class to whatever they are applied.
Primarily intended for editorial work (i.e. short to medium length texts) or display settings, Lightbox 21 has a reasonably extensive character set, including support for Vietnamese, many currency symbols, arrows, and small caps. It also has OpenType support for nut fractions (via a stylistic set) and a barred alternate uppercase i and an alternate curled j.

Retail Monoline JNL is a light weight sans serif extracted from the inline of Retail Price JNL and is available in both regular and oblique versions.

Introducing, Butter Slices - Brush Script. A beautiful modern calligraphy script based on manual hand writing. The natural flow with the swashes make this font looks even more prettier. This type of font perfectly made to be applied especially in wedding invitation, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations

Generous Monarch is a unique and interesting display font. A little bit quirky, this font is a great choice for a wide variety of contexts! It looks stunning on thank you cards, quotes, greeting cards, logos, business cards, and every other design which needs a creative spark.

Conica is a bold, condensed typeface that aims to grab your attention. By playing with heavy, dark shapes and small counters, this single weight typeface explores the contrast between defined shapes and gentle curves to produce a surprising headline font. It equally includes a range of Opentype features, with a set of small capitals, stylistic alternates and ligatures, users can choose which forms best suit their needs. Conica includes an extended Latin glyph set covering most Latin based languages.