Sohail Orozco

Introducing, Chopader - a vintage sans serif font duo. Inspired by 50s 60s signages, this font made to bring back the good ol’ days. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- Two fonts (Thin and bold style)
- numbers and punctuation
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Microdot is a pixel typeface that uses 5 by 7 grid. Fonts supports Latin, Cyrillic, and Hebrew, all with thoroughly designed diacritics. Microdot makes use of advanced OpenType features, just as any other modern text typeface.

Introducing, Broadley, a pair of hand drawn bold serif and script with a touch of vintage look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Positively bold, Cachalote was drawn by subtracting negative space. The resulting glyphs show unexpected, original forms, packed in an unicase font. Suited for impact. For the coolest looks. Positively.

Introducing Aesthetic Notes! This font is perfect for branding, packaging, logotype, headline, wedding, invitation, quotes, etc.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

There really is no nonsense in this font - but the name comes from my original sketches, where I drew a lot of nonsense! Actually, I couldn’t figure out what letters to use from the sketches, so I picked them all!!!
That’s why each letter has 10 different versions! And what is cool is that they automatically cycles as you type. All you have to do is turn on Contextual Alternates, and the rest is magic!

Verona - elegant display serif with beautiful contrast. Designed for fashion-themed projects, suitable for creating elegant, chic, lifestyle design such as logos, title, and magazine, and more.

Files Includes:

SA Verona (OTF, WOFF)
What’s Included?

Letters, numbers, punctuation

Planc has emerged as an approach to reconsider the grotesque font anatomy in a contemporary way. It is a new grotesque family with its subtle touches of details. Its relaxed proportional structure differentiates Planc from the usual grotesque anatomy, meeting the grotesque font requirement that can keep up with today.

In addition to the solid grid structure on the horizontal axis, with its smoothed curves, Planc provides a comfortable reading flow and avoids being dull with its details. Its minimalist approach comes from Planc’s reduced dysfunctional details. As a clean design principle, it contains innovative letterforms.

Planc font family consists of 10 weights including matching italics with extended Latin character set. It is a designer-friendly typeface with extra symbols, standard-old style,tabular-proportional numbers, arrow sets, and stylistic alternates.

Steclo is a semi-closed narrowed display sans-serif typeface with pronounced technical character. It comes in 9 weights from Thin to Black accompanied by corresponding oblique italics. Steclo features rich language support including pan-European Latin and basic Cyrillic glyph sets.

VanSans is a humanist sans family, created to bring a fun and warm spirit into a minimalistic design. It was inspired by the city of Vancouver, merging an industrial feel with the friendliness and openness of its people. Featuring a large x-height and open counters, it’s clear and legible in both print and screen environments. The family is designed to be flexible and adapt to any typographic hierarchy a designer will need. With weights ranging from Thin to Black, it supports both extended Latin and Cyrillic with multiple OpenType features. VanSans works best in editorial, web branding and advertising – and is ready to be challenged by you.

VanSans features:
• Low contrast and open counters
• 1400+ glyphs in 16 styles
• Extended Latin and Cyrillic
• Support for 219 Latin based languages including Vietnamese (Latin Plus)
• OpenType features like: small caps, ligatures, old-style figures, tabular figures, fractions, case sensitive forms.

Designed by Kaja Słojewska between 2019 and 2021.

Yink takes big, bulbous, ball terminals up a notch, by repeating the shapes not only in the black but in the white space too. This interplay between black and white shapes is reminiscent of the yinyang symbol in places, which is where the name Yink originates. It’s a shamelessly over-the-top font, and should be set large.
There’s a handful of OpenType features, including ligatures and alternates:
Ligatures for ff, fft, ft, tt, gj
Alternates are grouped into stylistic sets:
1. An alternate u, possibly more legible, but definitely not as much fun!
2. Again, a more boring version of m, just in case the default is ambiguous.
3. A more exuberant L
4. A blackletter informed T
5. Alternate P and R
6. An alternate 1 (one)