Sohail Orozco

Developed from Rian Hughes’ Black Panther logo for Marvel, Panther Black is a sharp and stylish three-weight headline sans.

Built from sweeping curves and tapered crossbars, its bold, dynamic design is seen to best effect in shorter settings.

Available in condensed, normal and extended variants.

Introducing Postpress, a vintage serif inspired by newspapers of the early 1900’s. With rounded edges, soft wedge serifs, and narrow lettering, Postpress can make even the most modern designs feel instantly rooted in history.

Designed for creating large titles for posters and publications, Postpress also reads well at small sizes, making it a great option for blogs, eBooks, UI designs, and even apps.

Postpress is provided in .OTF, .TTF, and .WOFF file formats, is website-ready, and also comes with an ‘outline’ variation.

Ragazzi is well balanced serif with display impact. Contains 2 widths – Normal and Condensed and matching Italics for Normal in weight distribution from Light to Black.

With gently rounded serifs, teardrop terminals, elegant hairline, equal ascender and descender heights, playful ear and smooth spur, Ragazzi represent distinctive serif family for respectable area of usage. Family’s display elements are especially noticeable in headlines, but they handle longer paragraphs with same success, not effecting on legibility keeping right dose of display touch present.

Ragazzi contains OpenType features: Small Caps, Initials, Standard Ligatures, Ordinals, Fractions, Superscript, Subscript, Oldstyle Figures, Tabular Figures and two decorative dingbats.

Condensed and Italics font files don’t contain Initials and dingbats.

Ragazzi is our 104th release.

An extended sans-serif family.

Derived from a photograph Rian Hughes took in Hong Kong, the Roadkill family of typefaces is a literal interpretation of rough and worn road lettering.

The original provided almost all of the key character shapes, with the others being designed to keep the unique hand painted feel intact. Most of the letters have alternate versions provided.

This font works equally well at wider letterspacing settings.

Roadkill Alternates provides curved versions of the 2 and the S, a G with higher crossbar, and less worn versions of several other characters. The heavy version packs even more gritty wallop in a non-condensed and blacker weight.

Roadkill Heavy packs even more gritty wallop in a non-condensed and blacker weight.

Use in conjuction with the original Roadkill and Roadkill Alternates.

A set of arrows and other road symbols again taken directly from tarmac to Mac, thus preserving the worn and eroded appearance of the original characters is also part of the Roadkill family.

The original letters were cut from actual potatoes, then scanned in and converted to vector outlines. Lighter and more heavily inked versions were used for the three variants.

Using Opentype character-substitution technology, Salvation rotates through three versions of each letter to create a naturally uneven printed effect.

Unlike hot metal type, the potatoes were cut the right way around. This produced reversed prints, which were then flipped back in Photoshop.

Originally produced for Hughes’ Get Lettering activity book, the font was then extended to cover numbers, punctuation and full European language support.

A condensed and bold obround sans inspired by 60s condensed inserat faces, with a more pronounced thick/thin stress as seen on the titles of the Avengers TV show.

Based on the lettering used on Alan Turing’s famous code-breaking machine at Bletchley Park, the “Bombe”, and the subsequent British answer to the German Enigma machine, the Typex.

Research done at Bletchley Park on their restored and antique machines provided the inspiration. The unusual shapes for the capitals have all been retained - the square O, the monospaced characters and other eccentricities that make it unique. This reference material was then extended to the numerals (which did not exist in the original) and a full international character complement.

The initial design of the bombe was produced in 1939 at the UK Government Code and Cypher School (GC&CS) at Bletchley Park by Alan Turing, with an important refinement devised in 1940 by Gordon Welchman. It was based on a device that had been designed in 1938 in Poland at the Biuro Szyfrów (Cipher Bureau) by cryptologist Marian Rejewski, and known as the “cryptologic bomb” (Polish: bomba kryptologiczna).

The Bombe was used to break the German Enigma code on a daily basis, and was a vital part of the Allied war effort. The British “Typex” (alternatively, Type X or TypeX) machines were an adaptation of the commercial German Enigma with a number of enhancements that greatly increased its security. It was used from 1937 until the mid-1950s, when other more modern military encryption systems came into use.

Urbane Condensed is an addition to the popular Urbane series, a versatile all-purpose sans-serif family of six weights plus italics.

Perfect for headlines and running text, it is clear, classic and authoritative. It explores the same idea-space as early geometric modernist sans such as Futura, Erbar, Spartan and Elegant Sans, with a single-story a, a contemporary high x-height and very slightly condensed bowls. Unusually for a geometric moderne sans, letter-widths are optically balanced, giving an even colour in setting. Includes a full international character set, lining, tabular and old-style numerals.

Wilko is the carnival barker of typefaces. Bold, impactful yet friendly, with two decorative variants. No frills, no corners, no messing. When you want to say it loud and clear.

Bold, graphic and with a strong vertical emphasis. Built from simple geometric shapes, Zeno is similar to some of Joseph Albers’ Bauhaus experiments, though with attention paid to normalising the lettershapes to improve readability.