Sohail Orozco

Fastpen is a script typeface based on fast handwritten pen strokes. It has 4 weights, each emulates a pen/brush thickness (0.5mm, 1mm, 2mm and 4mm).

It is meant to create a realistic handwritten look with a lot of contextual alternates that capture the quirks of writing. There are many substitutions happening automatically (make sure you activate “contextual alternates”) to give you the most seamless workflow.

Collision fixes, initial and medial glyph substitution, happen automatically, terminal forms are also available but need to be activated separately.



The fonts also have a built in stylistic set (ss01) if you want to type uppercase only text.



Energetic, joyful, with long elegant ascenders and extravagant swash capitals. Each thickness can give slightly different feelings, from the thinest (0.5mm) very delicate one to the more impactful one (4mm).



Fastpen has an extensive language support, so pretty much every European language is covered.



Inspired by an image of the chamfered block lettering of a semi-faded “ghost sign” for the Thomas Drug Co. in Thomas, Oklahoma, Local Druggist JNL is available in both regular and oblique versions.

“Ghost Signs” are the visible remnants of hand-painted signs on buildings where the original business had long closed or moved, yet the lettering had survived the passing years.

What makes “Logopedia Next” unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony.

All letters in the character have “alternatives” in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using “Logopedia Next”.

“Logopedia Next” is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design.

“Logopedia Next” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation “Logopedia Next 500 Regular” forms the central point. “Logopedia Next” comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs.

Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy in all graphic programs.

“Logopedia Next” is the perfect font for web use.

Be sure to check out the other siblings of “Logopedia”.
- Logopedia Now
- Logopedia Now Soft
- Logopedia Next
- Logopedia Next Soft

You can enjoy using it.

What makes “Logopedia Now” unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony.

All letters in the character have “alternatives” in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using “Logopedia Now”.

“Logopedia Now” is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design.

“Logopedia Now” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation “Logopedia Now 500 Regular” forms the central point. “Logopedia Now” comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs.

Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs.

“Logopedia Now” is the perfect font for web use.

Be sure to check out the other siblings of “Logopedia”.
- Logopedia Now
- Logopedia Now Soft
- Logopedia Next
- Logopedia Next Soft

You can enjoy using it.

Jazz Trumpeter JNL is an unusual type design modeled after the title card for the 1945 movie comedy “The Horn Blows at Midnight” starring Jack Benny and is available in both regular and oblique versions.

This Art Deco sans serif font has the distinction of being somewhat calligraphic, yet futuristic in its visual appearance… and even has some subtle hints of Blackletter influences.

Here’s my tall and thin sans handmade font! It’s lively, rough and quite organic looking - and to boost the natural organic look, I have added 6 different versions of each letter!

Surimi is a condensed display typeface available in six styles.
Designed to stand out with its low crossbars and its unicase alternates, this cool little family will be great for titling and logotypes.
The fonts include diacritics for western European langages, tabular and proportional figures, and 4 stylistic sets :

ss01 : unicase alternates (A,E,W,Y)
ss02 : alternate lowercase g
ss03 : alternate lowercase l
ss04 : alternate W and w

A stylish condensed sans-serif with alternate characters.

A rounded version of Albiona, a contemporary slab-serif which revisits aspects of Robert Besley’s classic Clarendon. Originally named after the Clarendon Press in Oxford, the type family was subsequently extended by Stephenson Blake in the 1950s.

Albiona adds the inwardly-curved stroke terminals of the same foundry’s Grotesque series, and includes italics and old-style and tabular numerals. The original Clarendon’s ball serifs and calligraphic eccentricities have been rationalised for functional contemporary uses. The family consists of five weights plus italics and a stencil, and its clean readable style is perfect for both extended text as well as headline setting.

Introducing, Asteria Royalty - A font made by natural handwriting. Perfectly to be applied to the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates, swash & ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Atomette is a bouncy sans that is friendly without being flippant, warm yet still stylish. The upper case and lower case options provide letters with less or more animation. Five weights plus an inline provide a neat mini-family to cover all your requirements. Suitable for snack packaging, comic books, toys, celebratory banners, book covers and games. Contains two or three options for each letter, including automatically-substituting letter-pairs to prevent repetition, plus an alternate set of numbers in circles. These can be chosen from the Glyphs palette or toggled on and off in the Opentype panel.