Sohail Orozco

Clarks is a modular typeface built from a work by Lygia Clark, one of the giants of Brazilian postwar art.
Packed in a font equipped with clever OpenType programming, there are at least 7 different designs for each letter, thus allowing, or rather, proposing, boldly unconventional compositions.
The font is programmed to cycle all these different lettershapes, avoiding repetition. The user can also manually pick up preferred forms in a glyph palette. There are choices to both keep and to defy readability and it’s almost hypnotic, to play with these.
Lygia Clark used to invite viewers to touch her works and so we did with her ‘Planes in Modulated Surface no. 4’, from 1957: we fragment it and turned and inverted and recombined it. Now we return it as audacious typography and invite you to put it to work in your designs. Keep it bold and have fun! Cheers!

Introducing, Mounties, a Display Sans Serif Font. This font has neat and sleek letterform, make it looks great to be used for modern and minimalistic design theme. The stylistic alternates and ligatures make this font event more unique and stands from the crowd. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Open Sans Soft is the warm and friendly cousin of the web’s 2nd-most viewed font family – Open Sans designed by Steve Matteson. Open Sans Soft tones down your communications by adding organic curvature to the corners of letters. A similar effect is found in such popular fonts as Microsoft’s Calibri and Linotype’s DIN Next. Open Sans Soft approximates the same, proven letterforms and letter spacing as Open Sans making it a wonderful companion for any application – correspondence, headlines, branding, packaging or interface design.

Paro by Hernández Montoya is a protest voice with vernacular roots.
Inspired by Woodtype and the hand painted letters of the muralist brigades and political posters.
Heavy and compressed, gives a powerful color in impact compositions, balanced with light diacritics and symbols.

Sagasti is a font family that contains two weights: Regular and Bold, with their corresponding Italics style.
These fonts are characterized by a straight and generous serif that provides consistent stability. We have focused on controlling vertical, horizontal and oblique strokes thicknesses, as well as curved strokes.
All glyphs were carefully drawn and precise kerning control has been made, providing optimal readability for texts and the beauty of the headlines.

Introducing, Appears, a Display Serif Font. This font has neat and sleek letterform, make it looks great to be used for modern and minimalistic design theme. The stylistic alternates and ligatures make this font event more unique and stands from the crowd. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates & ligatures
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

The new typeface by Contreras is a family of three styles, condensed structure and modular appearance. It has been drawn with awareness of the manual stroke of industrial handwriting letterings. The capitals are informed by street signs and political posters of the 70’s. A mix of Art Deco posters and industrial signage. With high frequency textured paragraphs, and economic performance in the style of M.F. Benton’s American Gothics. It is an font made with care of details, aesthetically rooted in the XX century.

In elementary variants for everyday use: regular, italic, bold. Plus stylistic alternates.

CA Mechano is quite what the name suggests – A mechanical typeface with amazing glitches. Pretty straight forward as long as you don’t activate the stylistic set “disorder”. You will see what happens then: a lot of fun for the typographic eye. A more consumable distraction is offered by the other stylistic set. You will dis­cover peacefully rounded letters in the neighborhood of strictly mechanically constructed glyphs.

Summer Ink is a sweet and friendly handwritten font. Its natural and unique style makes it incredibly fitting to a large pool of designs. The only limit is your imagination!

Gernsheim is a semi condensed display snas serif font family.
This font family has been created for use in headlines and logo display fitted on showcase screen. 9 weights and 18 font styles make up the initial release.
To increase the adoption of a wide range of display fonts, the individual glyphs’ handle fluctuations were subtly applied.
The compromise of disproportion between straight lines and curves improves glyphs autonomy and relieves tension.
And by applying rounded corner effects to each style, it presents the reader with softness and comfort.
It is designed so that the rebellious disproportion created by heavy styles transition to flat and classy tenderness as the thin style approaches.
Try the uniqueness and excitement of individual styles for yourself.

I used to be a tour guide and I traveled to China numerous times. Usually, the itinerary mentioned going to a restaurant in Beijing and eating ‘Beijing Roast Duck’ (北京烤鸭), a famous dish that has been prepared since the Imperial era. Typically, the whole duck is sliced at your table. The skin is crisp, glazed and thin and you should eat it with thin pancakes and thinly sliced spring onion.

Of course, if I had to guide several ‘China tours’ in a row, I would often eat something else (there is only so much Beijing Duck you can eat).

Peking Duck is a nice, handmade, Chinese Ink font. Use it for your restaurant menu, your book covers or your posters, advertising oriental food!