Sohail Orozco

This is my and it’s handmade super legible sans font. Very suitable for anything that needs a clearly handmade look, but not overdoing it. I’ve added several different versions, and they all fit on top of each other - or you can use them just fine as individual fonts.

Annuario is a sans serif font family made by 48 fonts

Dramatico is a script font family inspired by vintage handwritten postcards and notes. Perfect for any design that needs a vintage calligraphy look, Dramatico was handmade using a real dip pen and ink. Use it in signatures and logos, notes and quotes, social media posts, and branding and packaging.

Dramatico includes:

- Ligatures for a more natural text
- Swashes for most of the lower-case letters
- A set of ornaments to decorate your text
- A set of extras (lines, scribbles, arrows, splatters, etc) to add a grungier look to your vintage designs
- Bonus! Underlined and Strikethrough versions of the script font

The title and credits for the 1951 Dick Powell and Rhonda Fleming film “Cry Danger” were hand lettered in a freehand brush lettering often seen on store signs and show cards.

Serving as the model for Show Card Freehand JNL, this pleasant and casual typeface is available in both regular and oblique versions.

Tenacious Brush is an expressive font, provocative, free spirited and wild hearted.
It’s an all-caps face, with 4 alternates for each letter and 2 for each numeral — some letters also have stylistic choices. For that spontaneous hand-painted feel, you know. Turn on the contextual alternates feature to automatically cycle all these variety of glyphs. Or pick your choices manually, a task that’s that nowadays is truly fun with the ease offered by some applications when the font has a feature called ‘access all alternates’, which is absolutely the case here! If working in Adobe applications, for example, just select a glyph and you’ll see the other options for that one. Love it!
In addition to multiple alternates, the font brings yet some useful ornaments to give an extra buzz here and there. And let’s not forget to mention the extended language coverage.
Definitely a cool brush font, with a contemporary punch, offering endless design possibilities: logos, poster art, branding, bold imagery, packaging, t-shirts, apparel and much more… Always with loads of attitude included. Step into it!

Rock Concert JNL is a playful free form type design inspired by the opening title and credits for the 1964 motion picture comedy “Send Me No Flowers” starring Rock Hudson, Doris Day, and Tony Randall.

Strongly resembling hippie movement poster lettering of the mid-1960s, this fonts fits well with any retro project emulating the “Peace and Love” movement or (as its name implies) re-creating period piece rock concert posters.

Road Picture JNL was modeled after the hand lettered title and credits for the 1940 Bob Hope-Bing Crosby semi-musical comedy “Road to Singapore”, and is available in both regular and oblique versions.

Although the lettering design doesn’t resemble anything that was probably used in Singapore at the time, its faux “exotic” look still makes for an interesting revival.

Bob Hope and Bing Crosby made a total of seven “road” pictures, hence the homage in the name of this type font.

Rock Concert JNL is a playful free form type design inspired by the opening title and credits for the 1964 motion picture comedy “Send Me No Flowers” starring Rock Hudson, Doris Day, and Tony Randall.

Strongly resembling hippie movement poster lettering of the mid-1960s, this fonts fits well with any retro project emulating the “Peace and Love” movement or (as its name implies) re-creating period piece rock concert posters.

Road Picture JNL was modeled after the hand lettered title and credits for the 1940 Bob Hope-Bing Crosby semi-musical comedy “Road to Singapore”, and is available in both regular and oblique versions.

Although the lettering design doesn’t resemble anything that was probably used in Singapore at the time, its faux “exotic” look still makes for an interesting revival.

Bob Hope and Bing Crosby made a total of seven “road” pictures, hence the homage in the name of this type font.

Captura Now supports you create your next award-winning typographic experience.

Carefully refined shapes and sensitively balanced spacing and kerning create the gentle rythm that grants Captura Now its warm-hearted face, perfect in form and shape. Expanded with an enormous character set, Captura Now offers the freedom to transform your design into the Cyrillic-language world, as well as into any Latin based language — including Vietnamese.

Select one of the predefined styles or choose to continuously adjust the weights using the brand new variable font technology*. Numerous OpenType-features such as stylistic alternates, small caps, circled arrows, slashed zero and many more, have been implemented to simplify your work process.

1160 Glyphs | 18 Styles | 8 Weights + Italics | 2 Variable Fonts

Open Type Features:
Access All Alternates, Localized Forms, Subscript, Scientific Inferiors, Superscript, Numerators, Denominators, Fractions, Ordinals, Proportional Figures, Tabular Figures, Small Capitals From Capitals, Small Capitals, Ligatures, Slashed Zero, Stylistic Alternates

Captura Now supports 256 Languages — extended Latin incl. Vietnamese; Cyrillic incl. local forms:
Abaza, Abenaki, Adyghe, Afaan Oromo, Afar, Afrikaans, Agul, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Avar, Aymara, Azerbaijani, Balkar, Bashkir (Latin), Basque, Belarusian (Latin + Cyrillic), Bemba, Bikol, Bislama, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chechen, Chichewa, Chickasaw, Chukchi, Chuvash, Cimbrian, Cofán, Cornish, Corsican, Creek, Crimean Tatar (Latin + Cyrillic), Croatian, Czech, Danish, Dargin, Dawan, Delaware, Dholuo, Drehu, Dungan, Dutch, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut), Guadeloupean Creole, Gwich’in, Haitian Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, Igbo, Ilocano, Indonesian, Ingush, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kabardian, Kaingang, Kala Lagaw Ya, Kalmyk, Karachay, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin + Cyrillic), Karelian (Latin), Kashubian, Kazakh, Khinalugh, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Komi, Kumyk, Kurdish (Latin), Kyrgyz, Ladin, Lak, Latin, Latino sine Flexione, Latvian, Lezgian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moksha, Moldovan, Mongolian, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Nahuatl, Ndebele, Nanai, Neapolitan, Ngiyambaa, Niuean, Nogai, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Onĕipŏt, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Russian, Rusyn, Rutul, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin + Cyrillic), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tabasaran, Tagalog, Tahitian, Tajik, Tat, Tatar, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin+Cyrillic), Tuvaluan, Tzotzil, Uighur, Ukrainian, Uzbek (Latin + Cyrillic), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zarma, Zazaki, Zulu, Zuni

*Variable fonts work well in software that supports variable font technology.

A title card listing the supporting cast of the 1950 Humphrey Bogart and Gloria Grahame drama “In a Lonely Place” provided the hand lettered slab serif type design that served as the model for Post Production JNL – available in both regular and oblique versions.