Sohail Orozco

Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates!

What will you get :

- Native Roast Regular, Extrude & Shadow
- uppercase and lowercase
- numbers and punctuation
- multilingual & stylistic alteranate
- PUA encoded

I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola.
I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning…

Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!

The geometric Classic is available in two optical sizes: For larger sizes and purer geometry, Grato Classic is tuned for branding and identity design. If you need less geometry and more legibility, Gratimo Classic is fine-tuned for text and interface design.

Grato Classic is the humanist voice of the Geometric Suite. A timeless typeface with sharply cut terminals and apexes, it combines a pure, present voice with idiosyncrasy and luxury.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Classic takes that core and pursues the classical proportions and calligraphic detailing of early British geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work.
With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Classic is a powerful workhorse that combines elementary shapes and precise construction. An utilitarian family purpose-built for everyday use.
Where Grato Classic revels in pure geometry, Gratimo Classic has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a space saving typeface that draws on the humanist geometric types of Johnston and Gill to make something new.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Classic is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size.
For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.

Mersin is a modern sans serif font family. The asymmetrical structure of the beginning and ending shapes of letters such as “Cc, Ss” is its most distinguishing feature. Mersin has a total of 20 fonts, includings 10 weights and their appropriate italics. With its 2-axis (Weight & Italic) Variable Version, Mersin offers the advantage of using a very rich weight between 100-900. It includes detailed ligatures such as “Th, Tl, Ti, Tä, Tü, Tö, iï, fä, fä, fö fü” for very wide and different accents.

“Mersin Book” and “Mersin Book Italic” are specially designed for body texts and small fonts usages. Ideal for corporate identity, posters, brochures, guidance signages and all other kinds of graphic design works.

Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates!

What will you get :

- Native Roast Regular, Extrude & Shadow
- uppercase and lowercase
- numbers and punctuation
- multilingual & stylistic alteranate
- PUA encoded

I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola.
I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning…

Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!

The geometric Classic is available in two optical sizes: For larger sizes and purer geometry, Grato Classic is tuned for branding and identity design. If you need less geometry and more legibility, Gratimo Classic is fine-tuned for text and interface design.

Grato Classic is the humanist voice of the Geometric Suite. A timeless typeface with sharply cut terminals and apexes, it combines a pure, present voice with idiosyncrasy and luxury.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Classic takes that core and pursues the classical proportions and calligraphic detailing of early British geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work.
With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Classic is a powerful workhorse that combines elementary shapes and precise construction. An utilitarian family purpose-built for everyday use.
Where Grato Classic revels in pure geometry, Gratimo Classic has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a space saving typeface that draws on the humanist geometric types of Johnston and Gill to make something new.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Classic is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size.
For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.

The geometric Grotesk is available in two optical sizes: Grato Grotesk is geared for branding and identity design in larger sizes and purer geometry. If you need less geometry and more legibility, Gratimo Grotesk is engineered for text and interface design.

Grato Grotesk is the modernist of the Geometric Suite. A resolute typeface with flat apexes and no-nonsense angled terminals, it combines a clean, contemporary aesthetic with idiosyncrasy and warmth.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Grotesk takes that core and pursues the industrial logic of early German geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work. With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Grotesk is an utilitarian family purpose-built for everyday use, a powerful workhorse that combines elementary shapes and precise construction.
Where Grato Grotesk revels in pure geometry, Gratimo Grotesk has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a neo-grotesque that draws on American Gothics from the early 20th century and makes something fresh.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Grotesk is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size. For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.

Margarita, a work that is purely handwritten, has natural characteristics. It’s perfect for invitations, signatures, blogs, social media, business cards, product brands.

Margarita is a simple font that has Stylistic standards, Stylistic Alternatives. and includes uppercase and lowercase letters, numbers and punctuation.

FILE INCLUDES

Margarita (OpenType, PUA)
Margarita (TrueType, PUA)

ssed by using OpenType smart programs like Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.

special greetings for all, hopefully we are always successful with work.
Price: $15

Summer Motion is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”.
In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.