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| Designed by Jeff Levine, Formal Invite JNL is a display serif font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.
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| Formal Invite JNL |
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| Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful. This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.
Boss Jock JNL is available in both regular and oblique versions.
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| Boss Jock JNL |
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| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
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| Notes |
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| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
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| Afterword JNL |
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| Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful. This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.
Boss Jock JNL is available in both regular and oblique versions.
 |
| Boss Jock JNL |
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| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
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| Notes |
 |
| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
 |
| Afterword JNL |
 |
| Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful. This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.
Boss Jock JNL is available in both regular and oblique versions.
 |
| Boss Jock JNL |
 |
| Designed by Giuseppe Salerno, Notes is a hand drawn and script font family. This typeface has four styles and was published by Resistenza.es. |
 |
| Notes |
|
| Designed by Jeff Levine, Afterword JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts. |
At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.
The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.
|
| Afterword JNL |
 |
| Designed by Jeff Levine, Boss Jock JNL is a novelty font family. This typeface has two styles and was published by Jeff Levine Fonts. |
The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful. This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.
Boss Jock JNL is available in both regular and oblique versions.
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| Boss Jock JNL |
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