Sohail Orozco

Accia is one of the world’s first true sans-to-serif variable fonts. Its weight axis ranges form Thin to Extra Bold, and its serif axis ranges from Sans to Forte. Accia is designed to be perfectly usable at every possible point of the design space, and its different instances work together perfectly as an infinitely flexible type system.

The typeface contains a total of 879 glyphs supporting multiple Latin-based and Cyrillic-based languages, together with added sets of numbers and punctuation, small capitals, ligatures, and other commonly supported OpenType features.

Accia is also available as separate font families.

Hold on to your hats, there’s a new orchestra in town - the Banda Nova!

Banda Nova is a crowd pleaser, feeling equally at home on the retail shelf as well as on the cover of your favorite magazine. The 7 weights included in the package offer a wide variety of styles, with delicate and elegantly thin weights morphing into cute, bulbous giants sure to bring a smile to anyone’s face. This versatility makes Banda suitable for virtually any design project, including logos, headlines, covers, packaging and more.

We took the time to reimagine Banda, removing traces of our youthful naivety and expanding on everything that made it so good in the first place.

Our team is proud to welcome back one of our earliest typefaces in a refreshed and much-improved rendition/adaptation, now featuring full Cyrillic support and almost twice the number of original characters. Are you ready to take center stage again?

Berina; It is inspired by the contrast and elegance of the texts on the handcrafted posters. It has a wide usage area with 6 different versions. Ideal for creative work in industries such as packaging, branding, textiles. It is user friendly with arrows, ornaments and rich opentype features.

Featuring condensed, block hand lettering, Informational Sans JNL was modeled from a selection of water applied sign decals once made by the Duro Decal Company of Chicago and is available in both regular and oblique versions.

About fifty different small decal signs covered a wide range of general purpose information such as “Open”, Closed”, “Please Pay When Served”, etc.

I am (trying to) learn Danish using an app on my phone. The grammar and vocabulary are not that difficult, as the Danish language is very close to the Dutch language. The pronunciation, however, is quite tricky. Words look simple when written down, but when pronounced, they sound very different. Take ‘pige’ (‘girl’) - it reads ‘pee-guh’, right? Well, it is pronounced ‘pee-uh’. Or how about ‘brød’ (meaning bread)? If you keep in mind that the o-slash is pronounced as the ‘i’ in bird - almost like ‘uh’, it should be br-uh-d, right? Wrong again. It is pronounced br-uh-l.
Aaargghh!

I will succeed, hopefully!

Utroligt is a Danish word meaning ‘incredible’. It is a nice, uncomplicated all caps font. I made it with a cheap rollerball pen and some nice French paper. Comes with double letter ligatures and all the diacritics you’d like - including the danish ones.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.

Boss Jock JNL is available in both regular and oblique versions.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

The title and credits from the 1965 film “Strange Bedfellows” were hand lettered in a style typical of the early-to-mid 1960s – casual and playful.  This brought to mind similar type designs used by many radio stations when advertising their disc jockeys as cool, hip and fashionable in the slang term of the day “boss” jocks.

Boss Jock JNL is available in both regular and oblique versions.

At the end of the 1931 gangster film “The Public Enemy” a hand lettered card offers up an afterword on the demise of Tom Powers (James Cagney’s character in the film) and how a “public enemy” is neither a man nor a character but a problem society must deal with.

The text is in an Art-Deco influenced sans serif, and has been digitally recreated as Afterword JNL, which is available in both regular and oblique versions.