Sohail Orozco

An antique, hand-cut metal stencil for the Chicago-Burlington rail route stating “CB&Q RR – Private Property” inspired the sans serif stencil design Midwest Railway JNL, which is available in both regular and oblique versions.

Tuscaloosa is a hybrid script that includes Tuscan (bifurcated) serif treatments. The design of Tuscaloosa began as a set of organically-formed initials, the Tuscan serifs being reminiscent of shoots and leaves bursting forth. Tuscaloosa also derives inspiration from the late Victorian era, when the development of newspaper and poster advertising led to extremes of weight in the main strokes. The font is intended to convey an aura of excitement and fun that characterized those times!

The name ‘Tuscaloosa’ was chosen because of the appropriate combination of ‘Tuscan’ and ‘looseness,’ and because of its essentially American character.

A throwback design reminiscent of 1950s signage and print ads, Merrymakers JNL takes a previous release (Bluesman JNL) and places the letters and numbers inside parallelograms with ‘TV screen’ openings.

Merrymakers JNL is available in both regular and oblique versions.

The upper case A-Z characters have the taller side of the shape to the left, while the lower case a-z has the taller side to the right.

To make a ‘fan fold’ or zig-zag message, simply alternate upper and lower cases as in this example:

C-a-R

Sicret Mono is a monospaced and geometric typeface family. 
It was drawn by Måns Grebäck in 2020, and was created by following a strict mathematical pattern consisting of only two basic shapes, in four different combinations, set on a 2 by 3 grid. 
The resulting product is a font with a serious and solid character, with an official look while yet going towards sci-fi because of its digital nature.

The family consists of nine weights: Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black.
The range of weights makes it very adaptable, and all the weights works very well together to give a sentence or graphic tone and emphasization.

As Sicret Mono is a font with over 850 glyphs, it is guaranteed to contain all characters you’ll ever need, including all punctuation and numbers.
It has a very extensive lingual support, covering Greek, Cyrillic, Hebrew as well as European and American languages.

Introducing our latest display typeface named Brown Chunkers. A unique serif based typeface added with many alternates, swashes, ligatures that can make your lettering / logotype become more interesting. The clean and neat of a serif combined with the swirl swashes makes this font one of a kind!

This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- numbers and punctuation
- multilingual
- ligatures
- alternates
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Email us to letterhend@gmail.com if you need something! Happy Designing!

The hand punched lettering of an antique French shipping stencil was the inspiration for French Shipping Stencil JNL; available in both regular and oblique versions.

Eastport JNL is the interpretation by Jeff Levine Fonts’ of the classic Stymie Extra Bold (a/k/a Stymie Black), designed in 1931 for American Type Founders by Morris Fuller Benton.

Stymie and the somewhat similar Beton were both derivations of the popular European typeface Memphis.

Eastport JNL is available in both regular and oblique versions.

You may already found out that “Simple Mints” is a wordplay. The font itself is playful as well - the 5 different versions of each letter makes sure that your text is lively and playful!
Inspiration comes from both grafitti and comics…and my usual kind of sloppy handwriting - a mix that makes a great impression! :)

COOL BEANS… Can you dig it, man? Comicraft’s Jazzy “JG” Roshell, just swung by after playing bongos down at the coffee bar in his black turtleneck sweater, stove-pipe trousers, dark glasses and beret. Check out the rad Tiki corners on our freshest font, COOL BEANS and you’ll want to snap your fingers, put on some Miles Davis and take the next train out of Squaresville, um, Daddio.

At Comicraft we’re always looking for new ways to help our loyal customers get more bang for their buck. There are times when when the big financial instituitons turn their backs on the average working Joe, but that’s why we want to help you restructure your finances, renogotiate your commitment to font purchases… We’re here to help you stretch your dollars a little further.

With that in mind, our latest release is twice as wide as our usual fare and will help you make it to the end of the month in ways other fonts won’t! It’s not so much a bailout or a refi… It’s more of a credit extension. I wonder what we should call it?

Inspired by a retro Art Deco poster as well as many of the true classic Art Deco type designs of the 1930s and 1940s, Deco Revisited JNL is a bold, black, stencil-influenced design with no counters.

Although being a contemporary design, its use in any retro project will truly evoke a feeling for the “streamline” era.

Deco Revisited JNL is available in both regular and oblique versions.