Sohail Orozco

The name of this font brings back memories of an old fried chicken restaurant in Willow Springs Illinois circa 1960’s and 1970’s, my family would all get in the car and take a long drive down to an old country road Illionis Rt 171 through a forest preserve where we’d come upon the old Willowbrook motel with a bar and restaurant next door.

The restaurant was called Kegal’s, when you entered the building you had to walk through the smoky bar first to get to the restaurant, I can still see the hard wood floors with all the finish worn off from decades of foot traffic.  

Up until the mid 1960’s Kegal’s used to raise their own chickens behind the restaurant, back then fried chicken in the Midwest was either coated in flour or bread crumbs, Kegal’s was covered in a beautiful layer of golden bread crumbs. 

Before your meal arrived they’d bring a basket of dinner rolls along with crackers, bread sticks and country butter, on the side they’d serve coleslaw with a vinegar sauce, which is very common in the Midwest, the first time you try it your face puckers up like you just sucked on a lemon but you get used it over time.

After waiting for what seemed like forever to a child the waitress comes out of the kitchen with a huge tray of that golden deliciousness and your mouth begins to water, in her other hand was another tray filled to overflowing with crinkle cut french fries all made by hand, I’d eat a hole handful of those french fries first then take a bite of that tender juicy farm raised chicken.

Today a fine Italian restaurant occupies the old Kegal’s building and the motel is long gone, only my fond memories remain.

Fast forward to 2020 and FontMesa has just made some Fried Chicken as an eight weight type font family with alternates.

With the Fried Chicken slab serif font family we’ve broken some rules by removing a few of the slabs on certain letters for a unique homemade look.

Fried Chicken is perfect for your next product label, t-shirt design, logo,  headline or cookbook cover.

Treat yourself to some good ol’ Fried Chicken today.

TT Norms Std Condensed is the logical development of our bestselling TT Norms. Since the release of TT Norms, we received a bunch of requests to create its narrow version and even managed to make several custom projects of the narrow TT Norms before we decided to start creating a full-fledged commercial version of the typeface.

At the very beginning of the project, we did some research and tested several options for the possible width of the typeface. Despite the fact that TT Norms Std Condensed has narrower proportions than the original family, it inherited the classic proportions of characters, attention to detail and meticulous elaboration of each character in the typeface.

The TT Norms Std Condensed font family consists of 18 faces (9 upright and 9 italics). Each style includes a sufficient set of characters that allow you to solve most of the problems that arise in the field of graphic design, branding, packaging design or website design.

Hexonu is a weird, awkward, monospaced font family. In place of true lower case letters, it has an second set of capitals that, through the magic of the OpenType contextual alternatives (calt) feature, automatically alternates with the set on the upper-case keys. If one wants to use only one set of letters, the contextual alternatives must be turned off and character spacing adjusted.

Hexonu is another effort to create a font with alternating sets of letters (see PoultySign, Lentzers, and Caltic for others). The base shape for forming the letters is a lopsided hexagon that resembles an old coffin. In four of the six family members, the alternating shape is a distorted hour-glass. In the other two, coffin shapes heads up alternate with coffin shapes heads down. The family was created as an experiment with the calt feature and not for any particular use. It is does not work as text but its bizarreness makes it appropriate for some poster and signage applications.

Since their first appearance as Italians on the pages of the 1821 William Caslon type specimens, reverse contrast typefaces have been typography’s best loved quirky outcasts. Subverting the traditional relationship between thick verticals and thin horizontals made them perfect for eye-catching advertisements. The unexpected contrasts and the thick slabs produced by reverse-contrast serifs became ubiquitous in period posters, and synonymous with wild west and circus iconography.

In designing Stinger, the Zetafonts design team composed by Maria Chiara Fantini, Andrea Tartarelli and Francesco Canovaro and orchestrated by Cosimo Lorenzo Pancini decided to marry this subversive tradition with the workhorse approach of modernist sans serif typefaces like Univers, developing a super-family with four widths, each in five different weights, from thin to heavy. This gives the designer a full range of options for type setting, with the Normal and Fit widths providing two different text-sized alternatives, the wide width adding display and titling options and the Slim ready to deal with the space-saving necessities of extremely long texts. True italics have been added developed for all weights and variants, bringing the Stinger family to a total of 40 fonts, with a latin extended + Russian Cyrillic character set covering over 200 languages, and open type features including positional numbers, stylistic sets and alternate forms.

In the crowded panorama of contemporary grotesque typefaces, all aiming to stark geometric perfection, Stinger stands out with its bold choices and strong personality. From the calligraphy-inspired terminals in the thin weights to the logo-ready sculptural approach in the heavy weights, each variant manages to look striking without forgetting the readability and flexibility lessons of modern reverse-contrast classics like those designed by Excoffon or Novarese. A variable version is included with the full family, allowing maximum flexibility and control for the designer over the wide range of expression capabilities of the Stinger super family.

Mamba is inspired by Cooper Black.

Here is my font with carved out letters, like a really bad stamp. Each lowercase letter has 3 different versions, and that makes your text more natural, organic and handmade. Normally I kern my fonts throughout, but this time there is no kerning at all…and that’s odd, when we’re not talking about monospaced fonts. Anyway, Bottle Fork has its flaws and jumpy x-height…but that’s exactly the charm of it all! :)

Chrysante is a flowing pen script.
The typeface was drawn and created by Måns Grebäck between 2018 and 2020.
Its thin lines are inspired by mid-century advertising, emits optimism and has a strong personality.

The ink script family consists of three weights: Chrysante Thin, Chrysante Medium and Chrysante Bold.

Its multiple alternate alphabets gives the font a true handwritten feeling.
Use it for a logotype, a greeting card or as a headline.

The font contains all characters you’ll ever need, including all punctuation and numbers.
It has an extensive lingual support, covering all European Latin-based scripts.

Fresh is best! Say hello to this playful and bouncing font designed by Resistenza. This all-caps have been specially created to add a lively mood to your graphics. You’ll be able to create catchy quotes combining these all-caps fonts or you can use them individually.

Including 2 sets of letters on each font (uppercase & lowercase), so you can choose an alternate for each glyph just using your keyboard or the opentype glyphs panel on Indesign, illustrator and other apps with opentype features.

Have fun with this friendly font family and give a whimsical touch to your projects. Perfect to create headlines, posters, DIY hand-lettered artwork, books, holiday cards, wrapping paper, invitations, T-shirts, labels, packaging, fashion supplies, food products, artisanal goods, and an endless array of options.

Prego is small family with a lot of charm packed in 3 weights – Light, Regular and Bold. High contrasting design combined with simple and elegant shapes equipped with OpenType features (Swashes, Stylistic and Contextual Alternates, Fractions). Supports extended Latin character set and Cyrillic as well.

Vinetters has letters on the alternating leaves of a vine. It is monospaced and uses the OpenType contextual alternatives (calt) feature to alternate leaves as the vine snakes its way across the page, putting leaves with the base down between leaves with the base up. The family has two styles, one with transparent leaves and the other with solid leaves, and these two styles can be used in layers to add color. The family has a large set of accented characters but omits some symbols that are used primarily in technical text. Spaces between words can be left blank or filled with connecting vine using the brackets, trademark-infinity, doubledagger-summation, radical-approximatelyequal, or fi-fl characters. The characters on the leaves are derived from the typeface IngrianaCasual.

Topics for which using Vinetters may be appropriate include trees, plants, leaves, nature, changing seasons, and outdoor life.

“Calagio” is a casual and modern font, which can be categorized as expressive lettering style. This font contain 565 glyphs carefully designed, with OpenType features. A lot of alternative glyphs in upper and lower case letters, ligatures and ornaments, so you can combine and make your design more real at your convenience.