Sohail Orozco

This one is all about a flashy retro style. I wanted to create something with a bit more ‘bang’. So I set out to make a mixture between blocks and parallel lines.

Because it is an all caps font, I decided to make the lowercase set into a second set of glyphs. They are similar to the caps, but with less blocks in the letters. I included all glyphs from LatPro, except for two ligatures.

It is pretty niche, and it works best as the centerpiece of a poster or as a foreground in front of photos. Due to it’s complex shapes, it’s a little difficult to pair up with too many other elements and fonts, but it’s certainly an eye catcher!
In very small it creates moire, but also if seen from afar, the parallel lines create a sort of illusion of partial transparency.

The packing information stenciled on an antique wooden crate included a slab serif type style with chamfered corners.  This design has now been re-drawn as the digital typeface Stencil Chamfer JNL, which is available in both regular and oblique versions.

Vintage wood type with a strong Clarendon influence served as the model for Slabserif Wood JNL, which is available in both regular and oblique versions.

A 1922 piece of sheet music entitled “Japanese Sailor” had its title hand lettered in a Far Eastern motif.  This design is now available as Sea of Japan JNL, in both regular and oblique versions.

Introducing, Shakuro. As you can see, this brush typeface has unique letterform inspired from japanese kanji typography. Very suitable to use for headline, title, logo or anything especially related with japan or asian theme.

Features :

- uppercase & lowercase (alternates)
- numbers and punctuation
- multilingual
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Mero inspired by the Roman Capital Proportions which we have seen in Trajan Inscription. With different widths; There are applied each letter to visual proportion. Mero inspired by this measurement method and would like to create the primary typeface in terms of simple form. This sans serif typeface designed to use for any media with a little notice from designer eyes. You won’t notice much about style, but something will let you feel extraordinary and trust.

Mero has supported over 30 languages and come with nine weights for a complete family. With the standard of CSS font-weight, Mero complete family will map beautifully for your digital layout.

Mero inspired by the Roman Capital Proportions which we have seen in Trajan Inscription. With different widths; There are applied each letter to visual proportion. Mero inspired by this measurement method and would like to create the primary typeface in terms of simple form. This sans serif typeface designed to use for any media with a little notice from designer eyes. You won’t notice much about style, but something will let you feel extraordinary and trust.

Mero has supported over 30 languages and come with nine weights for a complete family. With the standard of CSS font-weight, Mero complete family will map beautifully for your digital layout.

As long as there’s been movie theaters, those establishments became the perfect hideaway for couples who wanted to kiss, hug and snuggle without the watchful eyes of disapproving parents or the pesky attention of younger siblings.

Such was evident in the [13 word] title of the 1919 composition “Take Your Girlie to the Movies (If You Can’t Make Love at Home)”.

On the sheet music for this song, it is hand lettered in the Art Nouveau fashion of the time by a round nib pen, and made a perfect candidate to be redrawn as a digital typeface.

The end result is Nouveau Theme JNL, which is available in both regular and oblique versions.

The BrightIdeas family contains two novelty fonts that have letters on light bulbs. The fonts have some characters on standing bulbs and some on hanging bulbs and these two sets are made to alternate with the OpenType contextual alternatives (calt) feature. To use only one set of bulbs, this feature must be turned off and character spacing adjusted.

The family contains a style with clear bulbs and one with filled bulbs. They can be used in layers to add color. Both are monospaced. The characters on the bulbs are derived from the font Myhota-Bold.

A geometric sans serif typeface influenced by Bauhaus and the early modernist era. Precise shapes are optically adjusted to create a clear, natural typeface with excellent legibility. Corbert Wide is a regular, self-evident design that works well across a wide range of applications.

Details include nine weights with matching italics and over 540 characters per style. Opentype features consist of five variations of numerals, including inferiors, superiors, fractions, alternative lowercase a, e and g, and language support covering Western, South, and Central Europe.

Cruz Quaste is a calligraphic medieval type, drawn by Måns Grebäck between 2018-2020.
While traditional in character it is yet original, and could be described as a reinvented gothic style.

Its blackletter style it works great in historical contexts, or to give projects a tough feeling.

Cruz Quaste contains OpenType features such as alternates and ligatures.

The font is multilingual and supports all Latin-based European languages.
It contains numbers, punctuation and all symbols you’ll ever need.