Sohail Orozco

Introducing, Revalina Signature Script - a typeface inspired by natural hand written. This font has many stylistic alternates, ligatures, swashes so you can play around with them using opentype features and creates lettering with natural touch. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates and ligatures
- swashes
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

A page from the 1931 Vitrolite catalog showing illustrations of store fronts and building exteriors utilizing the material provided a classically Art Deco type example.

The business name “Sylvin” did not offer many characters to work with, so completion of the digital type design was simply left to imagination.

The end result is Structural Glass JNL, which is available in both regular and oblique versions

According to Wikipedia:

“Pigmented structural glass, also known generically as structural glass and as vitreous marble, and marketed under the names Carrara glass, Sani Onyx, and Vitrolite, among others, is a high-strength, colored glass. Developed in the United States in 1900, it was widely used around the world in the first half of the 20th century in Art Deco and Streamline Moderne buildings. It also found use as a material for signs, tables, and areas requiring a hygienic surface. Over time, the trademarked name “vitrolite” became a generic term for the glass.”

Autherical is old and stylish, was inspired by old fraktur calligraphy. This typeface comes with two version regular and slant. Also comes with extra ornament and multilingual characters support.
more than 400 glyph and lots of alternates, access the all alternates by PUA code, create you boldest old stylish on your designs with this typeface.

Octagonist JNL is based on ‘Octagon’ [which was introduced in the George Nesbitt 1838 specimens of wood type] and is available in regular, oblique, solid and solid oblique versions. 

The font’s name is partly an homage (to the original type name) while at the same time making a pun on the word ‘Antagonist’.

October is the season for pumpkins - some of them are meant for soups, salad or other kinds of food. Others are cut into creepy looking pumpkinheads…and then there are the ones that are used for fun and games only! And that is exactly what this font is about!
Pumpkin Boy is my laid back comic font with a jumpy x-height and crunchy lines. If you choose to write in uppercase only, the letters are a bit less funky, but still crunchy and great for headlines.
I’ve added ligatures for double letters substitution for the most common letter combinations.

Introducing, Quatro - A Modern Serif Font. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Anguita Sans is a condensed sans serif font family of 8 weights with matching italics- 16 styles in all.

The font is characterized by rounded terminals, a large x-height and a condensed structure, which allows you to create a good vertical rhythm.

Anguita Sans is a stylish and versatile typeface perfectly suitable for a wide range of applications- especially titles and short lines of text, in both print and digital media.

Bricola (rhymes with Nicola) is a condensed display face that contrasts soft curved outlines with sharp cuts and counters.

Sturdy and idiosyncratic, Bricola is an eye-catching blend of functional and funky, appropriate for headlines, labels and branding.

The licensed family includes Regular and Bold weights that both pack a punch, and also two handy italics (obliques).

Gravtrac is a slab serif headliner designed to deliver solid punches while taking up as little horizontal space as possible. Inspiration comes from mid twentieth century classics: Univers 59 Ultra-Condensed, Helvetica Inserat and Compacta. It’s all about flat sides, a steady rhythm and tight, precision curves. The widest style of Gravtac is Condensed—compact, yet a comfortable read, available in 7 weights from Ultra-Light to Heavy. Gravtrac Compressed is probably the width where most typefaces would quit. It’s narrow enough for most…but not for you. That’s why we have Gravtrac Crammed. It’s audaciously narrow—perfect for times where you want the reader to slow down and truly pay attention to the message. Gravtrac Crushed is devilishly slender. Try it with wide tracking for a stark, opulent look. All styles are also available in obliques varying from 7 to 10 degrees—58 styles in total. Gravtrac includes Opentype fractions, numeric ordinals, a breadth of currency symbols and old-style (lowercase) numerals. Almost all current Latin based languages are supported as well as Greek and Cyrillic. Every skilled designer already has slab serif typefaces in their stockpile but some of us have the need to squeeze.

A vintage newspaper front page from June 6, 1944 proclaimed “France Invaded” in a bold, condensed wood type that has been revived as News Event JNL – available in both regular and oblique versions.

Varese Outlined is the perfect font for giving content a retro and playful feel. Use it for headlines or for short body text when you need an optimistic or nostalgic tone.

It comes in outlined and outlined with a shadow for dimensional effect.

This geometric and modular typeface was inspired by Italian posters of the 1920s and 1930s. It playfully explores the boundaries between unity and variety. The blocky and modular characteristics of this font lend themselves well to tightly composed text either horizontally or vertically.

The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces (counterforms). It comes with standard ligatures; ff, fi, fl, ffl and several alternate glyphs for number 1.

Varese Outlined has two siblings; Varese and Varese Soft.