Sohail Orozco

Native Roast is a serif font with 3 layered style. You can create vintage 3D look without using any add-on, only with fonts! This font is suitable for a vintage poster, 3d type, or retro Including number and punctuation, also support multi language. This font also contain a bunch of alternates!

What will you get :

- Native Roast Regular, Extrude & Shadow
- uppercase and lowercase
- numbers and punctuation
- multilingual & stylistic alteranate
- PUA encoded

I am a firm believer in the fact that breakfast is the most important meal of the day. So, for the last 10 years (ever since I became a father), I have been serving my family a healthy breakfast. I live in The Netherlands, so the main portion of breakfast is bread, but I try to serve something ‘nice’ every day. Like strawberries, yoghurt with banana and brown sugar (not too much sugar!), oatmeal porridge or granola.
I myself like Indonesian fried rice (nasi goreng) for breakfast, but I am afraid my kids won’t eat that in the morning…

Power Breakfast is a handmade display font. Yes, it is wobbly, yes, it is uneven, but that’s what’s so darn good about it!

The geometric Classic is available in two optical sizes: For larger sizes and purer geometry, Grato Classic is tuned for branding and identity design. If you need less geometry and more legibility, Gratimo Classic is fine-tuned for text and interface design.

Grato Classic is the humanist voice of the Geometric Suite. A timeless typeface with sharply cut terminals and apexes, it combines a pure, present voice with idiosyncrasy and luxury.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Classic takes that core and pursues the classical proportions and calligraphic detailing of early British geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work.
With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Classic is a powerful workhorse that combines elementary shapes and precise construction. An utilitarian family purpose-built for everyday use.
Where Grato Classic revels in pure geometry, Gratimo Classic has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a space saving typeface that draws on the humanist geometric types of Johnston and Gill to make something new.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Classic is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size.
For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.

The geometric Grotesk is available in two optical sizes: Grato Grotesk is geared for branding and identity design in larger sizes and purer geometry. If you need less geometry and more legibility, Gratimo Grotesk is engineered for text and interface design.

Grato Grotesk is the modernist of the Geometric Suite. A resolute typeface with flat apexes and no-nonsense angled terminals, it combines a clean, contemporary aesthetic with idiosyncrasy and warmth.
Grato is shaped by pure forms, low stroke modulation and square dots that contrast with almost perfect circles. Grato Grotesk takes that core and pursues the industrial logic of early German geometric typefaces. The result is a typeface of quirks and clarity, a substantial family for identity and editorial work. With a spectrum of nine weights, from fine Hairlines to super heavy Blacks, Grato can organise complex typographic hierarchies with ease.

Gratimo Grotesk is an utilitarian family purpose-built for everyday use, a powerful workhorse that combines elementary shapes and precise construction.
Where Grato Grotesk revels in pure geometry, Gratimo Grotesk has a practical focus. With a robust x-height, open apertures and generous spacing, its more restrained forms were the result of Grato being redrawn for reading. The result is a neo-grotesque that draws on American Gothics from the early 20th century and makes something fresh.
An allrounder specialising in smaller reading sizes and lower resolutions, Gratimo Grotesk is suitable for user interfaces and longform writing. With a compact texture, it is efficient, robust and ready to work at any size. For serious typography, Gratimo comes equipped with six weights, from Thin to sturdy Black. For greater distinction, it has matching italics.

Both combined are a super pack with 21 font styles and a long-lasting companion for brands that value diversity in language and clear screen performance.

Margarita, a work that is purely handwritten, has natural characteristics. It’s perfect for invitations, signatures, blogs, social media, business cards, product brands.

Margarita is a simple font that has Stylistic standards, Stylistic Alternatives. and includes uppercase and lowercase letters, numbers and punctuation.

FILE INCLUDES

Margarita (OpenType, PUA)
Margarita (TrueType, PUA)

ssed by using OpenType smart programs like Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.

special greetings for all, hopefully we are always successful with work.
Price: $15

Summer Motion is a simple and friendly display font, featuring the perfect amount of trendiness. This original look will appeal to a wide range of crafty ideas, from letterheads and titles to stationery.

Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”.
In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.

News Ticker JNL was inspired by some 1930s film footage of the famous electronic message sign that surrounded the New York Times building in Times Square.

A blank panel is located on both the regular and broken vertical bars for use in spacing between words.

Attention! TT Globs does not support Cyrillic, the font only supports Latin.

About TT Globs: TT Globs is the first font from the TypeType Starter Kit line, which is aimed at providing designers with fashionable typefaces featuring the basic set of font instruments of the same quality and development level as in the main TypeType line.

The main differentiating feature of the line is the basic number of styles (only the most popular weights), absence of Cyrillic support, and a very thought-through character font composition without extra features and other superfluous elements. Thanks to such an approach, fonts from the TypeType Starter Kit line are democratically priced and are affordable for many designers.

We were inspired to develop TT Globs by the idea to unite historical slabs with contemporary perceptions about fonts, their uses, and display shapes of letters. Working on the typeface, we even wanted to make curves more mechanical and rather modular, which would be very much in contrast with the cozy lines from historical specimens.

The main visual features of TT Globs are the long display serifs, which create a unified text image and connect all the letters, especially uppercase, into an almost uninterrupted dynamic chain. Thanks to the long serifs and rather narrow spacing, the result of working with the text will always be a little different, and depending on the words you choose, you can even create particular images.

In addition, TT Globs stands out by its very wide letter proportions, tall lowercase characters, and long ascenders and descenders. To mix up the rigid font rhythm, we created asymmetric wave-like terminals and flowing elements in some letters. Specifically, the flowing shapes of the letters GSQRasgec can be mentioned in this regard—they attract attention and can even serve as an important element in a logotype.

The TT Globs font family consists of 3 weights (ExtraLight, Light, Regular) and one variable font. Each style has 625 glyphs and 26 OpenType features. An interesting feature of thetypeface is the stylistic alternates, for instance, Q and R with straight legs which make the font feel more serious. In addition, the font also has a set of alternative letters with sticking serifs, a set of beautiful ligatures, and several original icons and frames.

TT Globs OpenType features: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, pnum, tnum, case, dlig, liga, calt, ss01 (Alt. Latin Q, R), ss02 (Alt. Latin a, g, y), ss03 (Alt. German Eszett), ss04 (Alt. Latin K, M, W, X, k, m, w, x), ss05 (White Circled Numbers), ss06 (Black Circled Numbers), ss07 (Romanian Comma Accent), ss08 (Dutch IJ), ss09 (Catalan Ldot), ss10 (Turkish i).

TT Globs language support: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani +, Banjar, Basque +, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton +, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican +, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss German +, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana +, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh+, Wolof, Xhosa, Zaza, Zulu.

Accia Forte is a strong serif typeface with high contrast, large x-height and prominent serifs. Its loud contemporary feel will be ideal for titles as well as posters and web appearance.

The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.

Accia Forte is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.

Accia Moderato is a contemporary serif typeface with moderate contrast and large x-height. It will become a great choice for primary body copy.

The font family contains 8 weights from Thin to Extra Bold, with matching true italics. It supports extensive language support including Cyrillic, as well as numerous OpenType features such as small caps, ligatures, several sets of figures, case-sensitive punctuation, ordinals.

Accia Moderato is a member of Accia Type System. It encompasses five typefaces ranging from sans-serif to expressive serif, giving you the possibility to create sophisticated cohesive designs. Accia Type system consists of Accia Sans, Accia Flare, Accia Piano, Accia Moderato, and Accia Forte.